Caroline Winterer discusses the American Enlightenment Exhibit, exploring how New World discoveries and ideas contributed to the Enlightenment and the transatlantic debates over government, science, religion and individual rights. (February 7, 2011)

The Stanford Opera Workshop performs the operatic play, written by graduate student Derek Miller, in which Mozart is found in purgatory and characters from his operas stand as witnesses to his sinful achievements. (April 15, 2011)

The Emerging String Quartet Program presents the Arneis Quartet, prizewinners in the 2010 ICMEC Competition and artists-in-residence at the Banff Centre in Canada. (April 1, 2011)

The four speakers discuss their collaboration on "True Colors," an exhibit at the Cantor Arts Center which fuses science and art, the classroom and the museum. (February 28, 2011)

Milica Tomic shares and discusses her work and results of a workshop that she held at Stanford, in which a group of students worked with her to further examine the atrocity between the Northern Alliance and Taliban soldiers. (March 9, 2011)

Shona Kitchen describes how she incorporates technology into her work and uses it to create a new genre of artistic development. She is currently the artist in residence in the Design Department of Mechanical Engineering. (February 14, 2011)

Judith Jamison is one of the foremost figures in American Dance and the Artistic Director of the Alvin Ailey American Dance Theater. In January of 2011 she visited Stanford as a Presidential Lecturer and to teach a master class. (January 10, 2011)

Faisal Abdu' Allah, discusses his experience with teaching students at Stanford University, remarking on how it is different than any style of teaching he has ever been a part of. (Fall 2010)

Trimpin and Victor Gama discuss their approaches to sound and art and the ways in which they aim to integrate these two aspects into their creations. (November 2, 2010)

Annie Cohen-Solal talks about her book on the life of Leo Castelli and and he played a role in bringing American art to the international forefront. (October 25, 2010)

Vice Provost for Undergraduate Education, Harry Elam discusses the role and value of arts in student life on campus at Stanford. He describes the goal of having the arts be inescapable as part of an undergraduate education. (November 11, 2010)

Sarah Simonson, Brian Wolf, Jaroslaw Kapucinski, and Erik Flatmo discuss the PBS film "Anything is Possible" featuring South African artist, William Kentridge. The panel discusses Kentridge's work at the nexus of film and performance. (November 10, 2010)

Creative musician Victor Gama is a native of Lusophone Africa and uses his music to address the relationship between technologies and tradition. He is trained in electrical engineering and uses computer generated music heavily. (October 27, 2010)

Speakers Cathy Horyn and Nancy Troy talk about fashion in writing and art and the role it plays today and has played throughout history. Cathy Horyn is a fashion critic for the New York Times and has worked for many European journals. (October 19, 2010)

Stanford Drama, collaborating with SiCa and the New York Public Theater, presents William Shakespeare's Troilus and Cressida directed by critically acclaimed director Rob Melrose. (May 15, 2010)

Members of the Stanford Taiko Group discuss their experiences and what they learned from Taiko Master Kiyonari Tosha at their Taiko Spring Break Workshop, a three-day residency. (March 26, 2010)

Julian Stallabrass, one of the most influential art critics in the United Kingdom, discusses how artists themselves, art critics and historians serve as sympathetic mouthpieces for artists using a case study of Jeff Wall. (April 7, 2010)

Richard Powers, dance historian and instructor at Stanford University, explains the role that spontaneity has played in various aspects of his own life. He emphasizes the importance in can have in living life to its full extent. (2010)

Stanford artists and visitors talk about their experiences and feelings with the 2009 Party on the Edge, an event at the Cantor Arts Center that feature performing and visual art from the Stanford community. (October 1, 2009)

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Gwyneth Lewis, the first Poet Laureate of Wales, reads some of her poetry and answers questions about her writing. (November 10, 2009)

Trimpin explains the concept and some of the details of his latest project, a combination of music and visual arts that conveys the experience of the internment camp Gurs. (April 29, 2010)

(October 1, 2009) Beyond My Circle is a performance project jointly created by students of Makerere University, Kampala Uganda, and Stanford University. The piece, created in just ten rehearsal days, is a catalog of their personal and physical journey.

In their 2010 Spring Concert, the Stanford Afro-Latin Jazz Ensemble performed with four-time Grammy-nominated percussionist John Santos. (May 24, 2010)