Lecture 19 (2007): Italian Neorealism, Part I
Listen now
Description
Origins and historical context of Italian neorealism, with brief accounts of the major figures and artistic principles of the movement. Discuss the quality of “multiplicity,” a key attribute of all good films. Examples: Bicycle Thieves; Rome, Open City.
More Episodes
Parallels between French and American cinema, and French contribution to developing film theory and criticism. Survey Renoir's career and some key associates (Vigo, Bazin). Analyze short clips from Grand Illusion and Boudu Saved From Drowning.
Published 03/14/16
Shadow of a Doubt and Rear Window show how Hitchcock films can be considered a genre all their own. Main themes: divided self (good/evil, masculine/feminine), attractiveness of evil, nature of cinema entertainment, double plots (story & meta-story).
Published 03/14/16
In this video, David Thorburn discusses themes that organize the course, including the power of movies, the work of genre, organic form, and artistic qualities, such as the multiplicity principle.
Published 02/18/16