Larrain's Pinochet Pt. 2 — El Conde
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Pablo Larraín has approached the legacy of Augusto Pinochet from several angles over the course of his filmography, but never quite as directly as in his latest, EL CONDE. And yet even when casting the Chilean dictator as his protagonist, Larraín seems less interested in the real man — who, as far as we know, is not an undying vampire — than what he represents about power, manipulation, and history’s ongoing cycle thereof. We talk through our thoughts about how that plays out in EL CONDE, before bringing back Larraín’s NO, a film that approaches Pinochet with more historical fidelity and less overt cynicism, but a similar interest in political deceit, compromised resistances, and what it takes to strike back at a dictator. And in Your Next Picture Show we recommend a couple of new releases with ties to this week’s pairing: the Chilean documentary THE ETERNAL MEMORY and the Gael Garcia Bernal biopic CASSANDRO. Please share your comments, thoughts, and questions about NO, EL CONDE, or anything else in the world of film, by sending an email to [email protected], or leaving a short voicemail at (773) 234-9730. Next Pairing: Brian Duffield’s NO ONE WILL SAVE YOU and Jonathan Glazer’s UNDER THE SKIN Learn more about your ad choices. Visit megaphone.fm/adchoices
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