Rose Glass’ new lesbian crime thriller LOVE LIES BLEEDING takes the neo-noir in a bold and unexpected direction, one that the Wachowskis first pointed the genre toward in 1996 with BOUND. While the sisters’ stylish debut first premiered amid a wave of “sexy thrillers,” it exists today in a significantly different context. We get into that shift this week with the help of returning guest Emily St. James, to discuss how BOUND subverts, even transcends, viewer expectations of noir, gender roles, and hot lesbian sex. And then we take a break from Feedback to continue the conversation about revisiting classics in a contemporary context, in a talk with Emily about her upcoming book, LOST: BACK TO THE ISLAND. Please share your comments, thoughts, and questions about BOUND, LOVE LIES BLEEDING, or anything else in the world of film, by sending an email or voice memo to [email protected], or leaving a short voicemail at (773) 234-9730. Learn more about your ad choices. Visit megaphone.fm/adchoices