Colorblind Casting is when a character as written can allow a wide range of actors to portray them (gender, race, body type, etc). Knowing that this is a common practice, how should the playwright take colorblind casting into account when writing? Special Guests: Paige Steadman (she/they) is a published and produced playwright who has worked in theatre her entire life. http://www.paigesteadman.com/ (Http://www.paigesteadman.com) http://www.goodactingstudio.com/ (www.goodactingstudio.com) http://www.artc.org/ (www.ARTC.org) and Steven Elliott Jackson is an awarding playwright from Toronto, Canada, best know for his Toronto Fringe Best New Play, The Seat Next To The King and Hamilton Fringe Best New Play, Three Ordinary Men. http://www.stevenelliottjackson.ca/ (www.stevenelliottjackson.ca)