Getting crystal clear dialog in a live environment is notoriously hard (not to mention getting it right on broadcast and records as well). ►► Ask a question for future podcasts: https://www.producedbymkc.com/question We search for the perfect balance between intelligibility, stability, and naturalness. Sometimes with minimal work we have headroom for days, while others we paint ourselves into a corner with filter after filter and hang on the edge of feedback the entire show. Should we err on the side of “less is more” or hack away clinging to the mantra “if it sounds good it is good”? Will the phase gremlins cause my console to spontaneously combust if I use too much EQ? Today we can find some middle ground in a three part method I’ve been using for almost a decade in high pressure corporate environments like Fortune 500 earnings broadcasts, presidential campaign announcements, and the Capitol Building proceedings. We’ll learn: - Why phase isn’t nearly as scary as you think- Where you should use EQ first (and it’s not on your channel strip)- What starting point EQ settings I use on every dialog channel ⚒️ Get over 20 free audio tools: https://www.producedbymkc.com/audiotoolkit 🏗️ System Tuning Workshop For Beginners - https://www.producedbymkc.com/systemtuningworkshop 🆕 New To Sound System Design? Start Here: https://www.youtube.com/playlist?list=PLqLfCybtxh0HTXmXl4nKZO64yHmQP0lRi 💼 Hire Me To Design & Tune Your System - https://www.producedbymkc.com/workwithme 🔊 Subwoofer Videos - https://www.youtube.com/playlist?list=PLqLfCybtxh0H7gaGak2Gfe3ogiyogc6bX