As unprecedented waves of young, rural women journey to cities in China, not only to work, but also to "see the world"and gain some autonomy, they regularly face significant institutional obstacles as well as deep-seated anti-rural prejudices. Based on immersive fieldwork, Cara Wallis provides an intimate portrait of the social, cultural, and economic implications of mobile communication for a group of young women engaged in unskilled service work in Beijing, where they live and work for indefinite periods of time. While simultaneously situating her work within the fields of feminist studies, technology studies, and communication theory, Wallis explores the way in which the cell phone has been integrated into the transforming social structures and practices of contemporary China, and the ways in which mobile technology enables rural young women—a population that has been traditionally marginalized and deemed as "backward" and "other"—to participate in and create culture, allowing them to perform a modern, rural-urban identity. In this theoretically rich and empirically grounded analysis,Wallis provides original insight into the co-construction of technology and subjectivity as well as the multiple forces that shape contemporary China. Cara Wallis studies new media technologies as these relate to myriad axes of identity, modes of sociality, and forms of individual and collective agency, particularly among marginalized youth and migrant populations. Her work is informed by critical/cultural studies, feminist theory, and theories of the social shaping of technology. She has expertise in China and conducts much of her research there. In addition to new media, she also studies popular culture in the U.S. and in China. She is currently working on a book manuscript based on her fieldwork that examined the use of new media, especially mobile phones, by young rural-to-urban migrant women working in the low-level service sector in Beijing.