Description
Redwood City cartographer and artist Jake Coolidge on making maps the hard way with ink, graphite, a metal scribe, copper, wax and ferric chloride, the difference between in silico and in vivo cartographic generalization, creating novel projections with two-point perspective, learning to letter backwards, training the eye before you train your mouse hand, how a mapmaking process will teach you something about the landscape, and his efforts to combine the handmade with the digital. See his work at jakecoolidgecartography.com
15x11” Mt. Rainier: intaglio print from a copper plate etching
55x13.5” California
32x17” Columbia River Watershed
60x15” Western Shore of Lake Michigan
Speculative bay area transit map
Oakland bike route map
DeLorme road atlas
Stanford Spatial History Project
QGIS
Richard Edes Harrison
Erwin Raisz
Print Zero Studios
Nikki Jabbora-Barber
Harry Beck’s London Tube Map
Eduard Imhof
Daniel Huffman (taught me how to map 🙏)
Amy Lee Walton
Mamata Akella
Jim Eynard
Joe Milbrath
Alex Fries
Tom Patterson
Becca Holdhusen
Nolli map of Rome
Turgot map of Paris
NACIS conference
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Ontario explorer, mapmaker, and conservationist Hap Wilson on drawing 400 guide maps across 50 years, traveling more than 40,000 miles of Canadian wilderness by canoe, the one digital tool he likes (it’s Google Earth), saving lives by creating a map that, unlike the one it replaced, did not send...
Published 05/13/24
Colorado painter, illustrator and mapmaker Erick Ingraham on solving art directors’ problems, making it interesting for himself (“I’m known to make things more complicated than they might need to be”), spending eight years painting the Rockies’ western slope, working from his own photographs,...
Published 04/30/24