Elements of Musical Theater
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Description
A musical is not a cabaret show and it's not an opera—join us as we deconstruct the musical and examine the distinct elements that must be present.
ArtsEdge, the Kennedy Center's arts education network, supports the creative use of technology to enhance teaching and learning in, through, and about the arts, offering free, standards-based teaching materials for use in and out of the classroom, media-rich interactive experiences, professional development resources, and guidelines for arts-based instruction and assessment. Visit ArtsEdge at artsedge.kennedy-center.org.
More Episodes
In an odd turn, the Broadway musical - exported by Walt Disney to cartoons in the 1930s - was returned to Broadway by Disney in the 1990s. Heather Nathans, Associate Professor of Theatre at the University of Maryland, explains this transition.
ArtsEdge, the Kennedy Center's arts education...
Published 03/19/08
In this piece, Heather Nathans, Associate Professor of Theatre at the University of Maryland, is joined by Joe Stein and Sheldon Harnick (writers of "Fiddler on the Roof") and Stephen Schwartz (who wrote "Pippin," Godspell," and "Wicked") to talk about how a musical gets written.
ArtsEdge, the...
Published 02/19/08
As the rock musical gave way to the spectacle musical, shows like "Cats," "Phantom of the Opera" and "Starlight Express" came to rely less on story and more on technology. We'll talk about the changes in musical theater in the last forty years and where musical theater appears to be...
Published 01/29/08
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