Episode Summary:
The first episode of our novel season The New Leviathan, that is grounded in many conversations capturing this moment of history, with its focal point on the relationship between individuals and technologies, is an intimate chat with three curators of the E-WERK Luckenwalde — Helen Turner, Adriana Tranca and Katharina Worf. The all women curatorial team of the world’s first renewable energy art institution is taking our co-founder and curator Farah Piriye on a journey to a small town 30 miles south of Berlin, in the former East Germany, where this functioning Kunststrom power station that explores ecological and socio- cultural practices is located. As the art world today faces a host of challenges, from monument removal to calls for repatriation, and rethinking museum model hierarchies, the ladies tell us how they envision an art space of the future. While Katharina Worf is introducing us to the concept of slow curating and Adriana Tranca explains how very attentive the audience is to what modern culture has to offer, the artistic director of E-WERK Helen Turner states that one of the fundamental roles of a curator in today’s troubled world is to make contemporary art accessible to the local community.
About E-WERK LUCKENWALDE:
E-WERK Luckenwalde is located in a former coal power station built in 1913, ceasing production in 1989 after the fall of the Berlin wall. Located 30 minutes south of Berlin, E-WERK Luckenwalde is jointly directed by artist Pablo Wendel and curator Helen Turner. In 2017, the art collective Performance Electrics GmbH led by Pablo Wendel acquired the former brown-coal power station with the vision to reanimate it as a sustainable Kunststrom (art power) Kraftwerk to feed power into the national grid by burning locally sources waste wood chips to make electricity, and function as a
large scale contemporary art centre. As part of POWER NIGHT in 2019, Performance.
Follow E-WERK Luckenwalde's journey on Instagram
Hosts: Farah Piriye, ZEITGEIST19 Foundation
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