The Earth fills the screen.
“Thirteen, this is Houston,” says Capcom. “We’re reading your telemetry. Good to see you again!”
Lovell looks out the left LM window, while Swigert and Haise look out the right window.
“Good to see you, too, Houston,” replies Haise.
In the Lovell bedroom, Marilyn...
As James Horner’s theme plays, Lovell looks out at the Moon through the LM window.
Lovell imagines what it would have been like to have a successful landing. He pictures taking the last few steps down the ladder, and standing in the bowl of the LM footpad. Placing his left foot on the powdery...
In the LM, Fred Haise holds a camera that he would have used on the lunar surface.
Lovell switches on a ceiling light in the LM.
Back in Houston, Marilyn quietly cries in a chair, listening to static on the NASA squawk box. The scene fades to black.
Along the limb of the Moon’s far side,...