After a short hiatus, we’re Back – from the future – with a good look at Alan Silvestri’s score to the Robert Zemeckis time-travel classic. Back to the Future is, at its core, about a small group of characters, and yet it possesses a huge scale of feeling and mood, much of which can be attributed to Silvestri’s impressive orchestral score. Join us as we take in the jazz roots of this classic, the fanfares and motifs, and of course, the classic hit songs that power the film. Episode...

There Will Be Blood, Paul Thomas Anderson’s relentlessly dark exploration of Daniel Plainview, an American oil baron, now comfortably sits among the greatest films of the century so far. Yet Jonny Greenwood’s score - who is best known from his days on guitar for Radiohead - may well be even greater and more original still. In this episode of Art of the Score, we take a look at Greenwood’s incredibly unusual music, and with the help of There Will Be Blood expert and conductor Hugh Brunt, take...

Today, Batman is undergoing yet another renaissance – fresh off the Dark Knight trilogy, he’s heading up a whole new Justice League. But in 1989, Batman was only starting to become the Dark Knight of popular culture – and Danny Elfman’s landmark score to the Tim Burton film helped him along the way. In this episode of Art of the Score, we take a look at the 1989 score, and pull apart its main themes, its musical influences and style, and ask the ultimate question: just where does he get those...

In our third and final Star Wars episode, we take a look at some of the lesser known cues that round out this incredible score. We discuss the giant bantha in the room: the musical influences that inspired Williams and the temp music that helped to shape some of his artistic choices. Finally, we take a whirlwind tour of the action music, explore the groovy Cantina Band tunes and debate whether Star Wars is in fact the greatest film score of all time. Is it? Show notes: 3:20 – the music for...

In our second Star Wars episode, marking the fortieth anniversary of the film, we complete our exploration of the themes for this landmark film and score from 1977. We take on the franchise’s most defining melody: the Force Theme, and also throw in the Rebel Fanfare, Vader’s motif, and the Death Star, before ending on that eternal question: what links Star Wars and Metallica? Episode notes: 2:15 – The Force Theme (or Ben Kenobi’s theme) 2:50 – Binary Sunset 7:25 – the Alternate Binary...

Forty years ago today, in 1977, the film universe was turned upside down by a galaxy far, far away. Star Wars may have changed the film industry forever, but John Williams’ score might just be as influential for the film music landscape. In this episode, our first of three on Star Wars, we take a look at the influence of John Williams’ music, and two of its major themes: the Main Theme (or Luke’s Theme) and Princess Leia’s theme. Episode notes: 2:30 – The influence of Star Wars, the music,...

In 1990, Kevin Costner’s Dances With Wolves set the film world alight, and won seven Academy Awards in the process. But what about the score? In this episode, we take a look at the music of John Barry – who, although best known for his Bond scores, here manages to create something at once completely Barry-esque and wholly unique for a film about the flawed myth at the heart of American cinema’s greatest genre: the Western. Episode notes: 2:58 – Dances With Wolves as a Western 6:00 – An...

Star Trek is one of the most enduring television series of all time, with more than 700 episodes over 30 seasons. Even disregarding the films, it’s also seen some great composers: Alexander Courage, Jerry Goldsmith, Dennis McCarthy, and Jay Chattaway. In our fifth episode of Art of the Score, we’re shifting to the small screen as we take a look at how the music of Star Trek has defined the final frontier over 50 years. Episode notes: 2:40 – Overview of the Star Trek series, and how each...

For our fourth episode, we’re moving to a different great director-composer collaboration from a different era. It’s Alfred Hitchcock and Bernard Herrmann with perhaps their greatest work: 1958’s Vertigo. This film recently dethroned Citizen Kane as the greatest of all time according to the American Film Insitute – but how good is Herrmann’s score, and how does it work? Join us as we take a look at the central musical ideas at work here – and how Bernard Herrmann creates a musical landscape...

For our third episode, we look at another great Williams-Spielberg collaboration with the 1993 score to Jurassic Park. This landmark film redefined special effects and Hollywood itself, but what did it do for film music? Join us as we take a look at the main themes for the score and the hidden gems – and go from gospel, to jazz, to hymns along the way. Episode Notes: - 2:30 Notes on Jurassic Park as a Spielberg film and its place in film history - 7:10 Theme From Jurassic Park - 10:00 The...

In the second episode of Art of the Score, we’re going even deeper into John Williams’ 1981 score for Raiders of the Lost Ark. In the previous episode, we looked at the main themes for the score – in this episode, we’ll uncover the hidden moments and orchestrational genius that makes Raiders a film score for the ages. Episode Notes: - 2:50 The opening cue of the film – ‘In the Jungle’ - 9:40 Indiana Jones’ introduction in the film, both musical and visual - 11:45 ‘The Idol Temple’ and the...

In Art of the Score, we dissect the greats of film music from top to bottom. For our first two episodes, we’re starting with John Williams’ 1981 score for Raiders of the Lost Ark, one of the most iconic collaborations between Williams and Spielberg. In episode one, we take a look at the themes of Raiders in detail – how they work, why they’re perfect for their characters, and the blueprint that they set up for the film. Episode Notes: - 3:05 Where Raiders of the Lost Ark sits in film...