How to WriteBetter Snare Rhythms.     Download PDF Tutorialincludes MIDI + WAV file examples   If the link above does not work, paste this into your browser:https://hackmusictheory.com/album/2806684/snare-rhythms           Intro.   While it’s normal to hear at least a few different kick patterns and hi-hat patterns in music nowadays, it’s rare to hear an interesting snare pattern. The rhythm assigned to this neglected element of the drumkit is almost always an afterthought. In 4|4...

   How to Write Heavy BASS Lines   Step 1. Syncopated OctavesSet up one bar of 4|4 with your grid on 1/16 notes, and your tempo at 110 BPM. You’re gonna start by using only one note, and the octave of that note. We’re using A in our example. So, draw in every 1/16 note on the low A. Now, play around with moving a handful of them one octave up. These high notes will make accents in your bass line, so you want them to create a cool rhythm all on their own. And one of the best ways to do that...

    How to Write Advanced DRUMS    Step 1. PatternSet up two bars of 4|4 with your grid set to 1/16 notes, and your tempo at 136 BPM. Now, instead of starting to make your drum beat with the usual kick on beat 1 and snare on the backbeats (like everyone else does!), you’re gonna start by writing your kick and snare pattern on the hi-hats. Wait, what?! I know that seems like a really odd thing to do, but this method is gonna result in a far more creative (and therefore “advanced”) drum beat....

    How to Write Locrian BASS Lines  Step 1. BasicSet up four bars with an 1/8 note grid, and your tempo at 97 BPM. You’re gonna start by writing a basic bass line that plays every 1/8 note. This creates momentum. We’re in B Locrian here, which is just all the white notes from B to B. The Locrian mode is exceptionally dark, and what makes it so dark is the ♭2 (which is C in this example) and the ♭5 (which is F in this example). Now, because those two notes are what make Locrian sound so...

    How to Write a Beautiful CHORD Progression    Step 1. Beauty  Set your grid to 1/16 notes and your tempo to 113 BPM. We’re in the key of A minor here, which is just all the white notes from A to A. Right, so the first step to writing a beautiful chord progression is finding a beautiful chord. There are many beautiful chords, but a good guideline is to leave space for the harmony to breathe. Think about walking into a beautiful cathedral. The space is as beautiful as the structure. When...

    How to Write a BASS Line with Harmony   Step 1. Low  Harmony is when two or more notes are played together. And sadly, it’s rare to hear harmony in a bass line. The word “line” is actually used to convey the fact that it’s a melody, not a harmony. That’s how rare harmony is on the bass! You see, most producers think the bass frequencies are too low to play harmony. In other words, if you play two notes together, it’ll sound like a rumbling mess. But, that’s not true. That only happens...

    How to Write a Standout MELODY   Step 1. First ImpressionsThere are many ways to write a standout melody, but it’s difficult to improve on the method PJ Harvey uses in her new single “A Child’s Question, August”. That’s because nothing grabs our attention like a bold first impression. And by first impression, I literally mean the first note of the melody. You see, PJ Harvey starts her melody in the Dorian mode, and the very first note she sings is the major 6th. That’s the one-and-only...

    How to Write a Locrian RIFF  FREE: Download This Tutorial as PDFIncludes multitrack MIDI example     Step 1. OctavesSet your grid to 1/16 notes and your tempo to 97 BPM. You’re gonna start by writing a creative pattern using only octaves. If you’re writing this on guitar, use your low open E string and the E one octave higher. And be sure to play every 1/16 note, as that’s what gives the riff that heavy momentum. At the very end of the riff, though, play four 1/8 notes. That creates...

    How to Write a Catchy MELODY  FREE: Download This Tutorial as PDFIncludes multitrack MIDI example    Step 1. ScaleThere are two types of catchy melodies: annoyingly repetitive ones you can’t stop singing but actually hate, and awesome ones that are memorable cos they’re unique. So, to write a catchy melody that isn’t annoying, you need to make it unique somehow. There are numerous ways to do that, and in this example we’ll be using two. The first way is to use an unusual scale. You see,...

    How to Write Energetic BASS Lines   Step 1. Rhythmic Energy  There’s a super energetic bass line in the new single “No Reason” by The Chemical Brothers. To write a bass line like this, you need a lot of movement. Not just rhythmic movement, but melodic movement too. So, start by writing an energetic 2-bar rhythm for your bass line. Just use one pitch for now. We used A. You see, if you can get your bass sounding cool on one note, imagine how amazing it’s gonna sound when you bring in the...

    How to Write a Lydian MELODY DOWNLOAD This Tutorial as PDFIncludes multitrack MIDI example  Simple music can be great music. Depeche Mode’s lead single “Ghosts Again” from their new album “Memento Mori” is proof. It has a well-written and creative vocal melody in the verses, but it’s really simple. So, here’s a method for writing melodies from a band that’s been going for over 40 years!   Step 1. ModeIf you’re going to write a simple melody, it helps to choose an interesting mode. They...

    How to Write Polymeter DRUMS  Step 1. Kick in 7The new Periphery single “Atropos” (from the album Periphery V: Djent Is Not a Genre) opens with a classic djent polymeter, which we love! Staying true to Meshuggah’s original polymeter recipe, the kick is in odd time while the snare and cymbals are in 4|4. So, start by programming a one-bar kick rhythm in 7|8. And just cos you’re in 7|8, doesn’t mean you have to only use 1/8 notes, so change your grid to 1/16 notes. By the way, the tempo is...

    How to Write a Layered Guitar RIFF  Step 1. BassThe first thing you notice in the opening riff of “Ego Death” by Polyphia is that there are two layers. There’s a bass line and a lead melody all in one riff, played by one guitar. By adding bass notes below the melody they’re implying chords and creating harmony. This adds a beautiful depth to the riff. And yes, this technique is not new. In fact, it’s hundreds of years old and is common in classical guitar pieces. But, it’s actually rare...

    Drum Secrets of Hip-Hop Legends  DOWNLOAD This Tutorial as PDFIncludes Bonus Hack, MIDI & WAV file examples   Could you hear the missing ingredient in our drum beat? (click play above). If not, don’t worry, that’s because the beat is actually pretty good the way it is. The kick pattern is a two-bar rhythm, which gives the drum beat variety. There’s also some off-beat kicks, which add groove. The hi-hat accents change in the second bar, which creates more variety. And the regular...

    The REAL Reason You Can't Make Music   Do you sometimes find yourself staring at a blank screen, with absolutely no ideas? Then we have the solution for preventing that from ever happening again. How can we be so confident that this solution will eliminate writer’s block? Because I’ve been writing music for over 30 years, and I’ve never had writer’s block. Ever! So, what’s this magic solution? Music theory! I know, I know, it’s not the exciting answer you were anticipating, but it’s...

    Sound Design Is Ruining Your Music   Have you ever opened your digital audio workstation (DAW) because you’re in the mood to make some music, but then you end up spending hours searching for the right bass sound? Then, feeling frustrated because you’ve wasted hours and didn’t even find the right sound, you close your DAW and open Instagram instead. If you’ve ever done that, then we have a huge secret to reveal to you: forget about sound design, it’s probably the worst distraction in...

    Stop Looping Melodies This Way   DOWNLOAD This Tutorial as PDF (includes MIDI file)   When you loop a melody, do you just copy and paste it? If so, that way of looping could be ruining your melodies! But the good news is that in this lesson you’ll learn a creative way of looping, which will actually make your melodies better than they were before you looped them. Seriously, this looping hack can even make boring melodies kinda interesting. But first, what’s wrong with looping a...

    Wrong Notes for Better Chord Progressions   DOWNLOAD This Tutorial as PDF (includes MIDI file)   Can you hear the weakness in this chord progression? It’s a common weakness that you hear in most songs. Did you spot it? If not, here’s the answer: all the chords are in the key! Wait, what?! Isn’t that a good thing? Well, not always… You see, there are only seven chords in a key. That doesn’t give you much choice if you’re trying to make creative music. And to make things worse, one...

    How to Write a Bass Line like Gorillaz "New Gold"   In the new Gorillaz single “New Gold”, there’s a music theory secret that makes their song feel totally different to the other new releases out this week. That’s what you’ll learn in this lesson, as well as how to use it to write a Gorillaz-style bass line. But first... Tea!   INTRO Hello revolutionary music makers, we are Kate and Ray Harmony (AKA Revolution Harmony), and welcome to Hack Music Theory, the fast, easy and fun way...

    How to Write a Bass Line like Red Hot Chili Peppers "Tippa My Tongue"   In the new Red Hot Chili Peppers single “Tippa My Tongue”, there’s a ridiculously funky variation of the blues scale, which we’re calling the RHCP scale. And that’s what you’re about to learn, as well as how to write a bass line or guitar riff using it. But first... Tea!   INTRO Hello revolutionary music makers, we are Kate and Ray Harmony (AKA Revolution Harmony), and welcome to Hack Music Theory, the fast,...

    Steven Wilson: See Sound, Hear Images   "You imagine something as a guitar part, but then you transpose it to the bass, and it just seems somehow more exotic because of that." –Steven Wilson (Porcupine Tree songwriter-producer)   WELCOME Hello revolutionary music makers, we are Kate and Ray Harmony (AKA Revolution Harmony), and welcome to Hack Music Theory, the fast, easy and fun way to make music! If you’re new to theory, or if you just want a refresher, then read our free book...

    Steven Wilson: Change Your Workflow   "I’m not thinking like a bass player would. It gives you all of these possibilities as a bass player to play melodies, riffs, chords." –Steven Wilson (Porcupine Tree songwriter-producer)   WELCOME Hello revolutionary music makers, we are Kate and Ray Harmony (AKA Revolution Harmony), and welcome to Hack Music Theory, the fast, easy and fun way to make music! If you’re new to theory, or if you just want a refresher, then read our free book "12...

    Steven Wilson: Biggest Metal Guitar Mistake   "It's all played on telecaster with an almost clean tone, and to me, it sounds heavier than if I'd played it with a whole bunch of overdrive." –Steven Wilson (Porcupine Tree)   WELCOME Hello revolutionary music makers, we are Kate and Ray Harmony (AKA Revolution Harmony), and welcome to Hack Music Theory, the fast, easy and fun way to make music! If you’re new to theory, or if you just want a refresher, then read our free book "12 Music...

    Steven Wilson: How to Be Creative   "An amateur is someone who does something because they love to do it. So, professionalism is sometimes not a good thing." –Steven Wilson (Porcupine Tree)   WELCOME Hello revolutionary music makers, we are Kate and Ray Harmony (AKA Revolution Harmony), and welcome to Hack Music Theory, the fast, easy and fun way to make music! If you’re new to theory, or if you just want a refresher, then read our free book "12 Music Theory Hacks to Learn Scales...