We'll hear music of Francois Devienne, CPE Bach, and Frédéric Duvernoy performed in 1988 by Colin St. Martin and Richard Seraphinoff, who were students at the IU Early Music Institute at that time.

We'll hear music from the viol consort Phantasm during their 1999 U.S. tour.

Join us for arrangements of well-known Elizabethan tunes mixed with serious secular polyphony in this 2019 concert by the ensemble Antic Faces entitled "Joyne Hands - Elizabethan entertainments for mixed consort."

Here's a delicious Telemann sandwich filled with CPE Bach! (Hold the mayo and mustard.)

Head-banging viol consorts - really? YES! Join “The Brade Bunch” in Berkeley, CA in 2008 for some of the best music that has ever been.

Thomas Binkley died in April of 1995, and in September of that year a large group of former students and colleagues gathered to remember him with his own favorite kind music-making—live performance.

The year is 1983 and notes inégales are about to be heard for the first time in Recital Hall at the IU School of Music.

Judith Linsenberg has been living with her arrangements of Bach organ sonatas as trio sonatas for many years now, but we’re going to travel back to when she was getting to know the music for the first time.

What the heck is fourteenth century chamber music? Excerpts from a concert called “Fourteenth century chamber music” - performed by faculty of the Early Music Institute in Bloomington, Indiana, in 1989.

Thomas Binkley founded the Early Music Institute at IU School of Music in Bloomington, Indiana in 1980. We'll hear excerpts from the very first faculty performance.

A performance of Johann Sebastian Bach’s “Christ unser Herr zum Jordan kam,” BWV 7, on February 26, 2017, in Bloomington, Indiana. It was the fifth of six cantatas in the seventh season of the Bloomington Bach Cantata Project.

We'll hear a performance from a 1980 cassette tape of the Hilliard Ensemble's first concert in NYC.

The UNT Collegium Singers and Baroque Orchestra present several different ways of performing the music, just as Giovanni Legrenzi suggests. Check it out!

Listen as Hebrew, Islam, and Christian traditions overlap and diverge as they spread around Europe and Asia, in a performance by ensemble Schola Antiqua.

The ensemble Sonnambula plays music from seventeenth-century France by Lully, Lalande, and more at the Baruch Performing Arts Center in NYC of September 2017. Join us!

Let's hear some of Quire Cleveland's 2017 performance of the St. Matthew Passion by Renaissance composer Richard Davy.

Tempesta di Mare created a very unusual Christmas concert of Czech music, most of which was found in a bishop’s library in the Moravian Court in Kroměříž. Singers, strings, brass, winds, and organ join together for festive music of the season.

Join us for excerpts from the concert “Hecho en Mexico” by Austin Baroque Orchestra.

Travel with us back through time to October 2016. We’re visiting St. Luke in the Fields Church in New York City for “King James and his Bible: a musical portrait,” a concert presented by the viol consort Parthenia with guest bass-baritone Dashon Burton.

In January, 2020, Alchymy Viols underwent some friendly alchemy to become an ensemble of singers and instrumentalists perfect for the performance of Marc Antoine Charpentier’s 11th and final mass, first performed at the Sainte Chapelle in Paris, probably during the feast of the Assumption in 1699. We’ll hear some of that splendid mass and also Charpentier’s only Sonata among an oeuvre of well over 500 works.

We'll hear excerpts from the Rose Ensemble's concert at the St. Thomas Aquinas Church in St. Paul in March of 2017. The concert comprised liturgical music composed in the style current in France in the seventeenth century, though not all the repertory is by French composers...

Harmonia Uncut brings you two performances from back in the time of concerts, one of Mozart from Gili Loftus, and one of Muffat from Matvey Lapin.