Marlon & Jake are back to discuss the most indelible and powerful female characters—those written by dead female authors and those written by dead male authors. From Sula Peace to the Wife of Bath, Scout Finch to Janie Crawford—these two gentleman celebrate some of literature’s most ferocious, complicated, guileless, unrepentant and commanding women.

Marlon & Jake are back to discuss the narrators they love but can't trust. From the delusional to the uninformed, the sociopathic to the sympathetic, they explore the characters that charm as much as they trick, begging the question: is there such a thing as a reliable narrator? So tune in to hear if Jake has warmed to Great Expectations (spoiler alert: he hasn’t) and so much more!

We didn't ghost you, dear listeners. Marlon had a novel to finish, which Jake had to edit. But the good news is it's officially out in the world, and so before Marlon—the very living author—takes off on his whirlwind book tour, he and Jake are back together for a brief (but delicious) reunion of discussing what they love most: DEAD AUTHORS. We'll be back for season three later this spring, but until then, stayed tuned for an amuse bouche, a canapé, an appetizer—take your pick!—to the glorious...

Prepare for what might be Marlon & Jake’s most controversial hot takes yet, as they travel back through the last four hundred years to decide which dead authors from each century stand the test of time and which can be left to gather dust on the shelf. Where do they fall on Paradise Lost? Who triumphs in the battle of the poets v. novelists of the 18th century? How much has the 1930s Hollywood studio system shaped classic stories? Which of them stans Huckleberry Finn, and who thinks it...

This week Marlon & Jake discuss the books by dead authors they give as gifts and the very important decision-making that goes into that selection. Whether it’s for a younger, skeptical or pretentious reader, they share the unintentionally comedic and surprisingly engaging books they choose to bestow upon their loved ones.

This week Marlon & Jake discuss memorable characters from books by dead authors—who they love, who they despise and everything in between. What exactly makes a character great? Who would they invite to their literary dinner party and why? From Elmore Leonard’s Raylan to Louisa May Alcott’s Jo March, Lady Macbeth to Auntie Mame—tune in to hear which fictional personalities would get a seat at the table, who would be banished forever, and who Marlon and Jake would simply ignore.

Marlon and Jake take on literary giants in a grudge match for the ages. This time it's Charles Dickens vs. Anthony Trollope and Louisa May Alcott vs. Laura Ingalls Wilder in a no-holds-barred royal rumble. The two of them pull no punches, whether they're talking about racism or Edith Wharton's snobbery, colonialism or Hugh Grant's hair. So get ready to cheer on your favorite dead author and literary warrior as Marlon and Jake go mano a mano in a street fight you've definitely never come...

Literary speculation abounds as Marlon and Jake reveal which books they wish they had written and which they think would have been better if they’d been written by someone completely different. Listen in as they explore the questions you never knew you needed answers to. Would The Confessions of Nat Turner have been better if Zora Neale Hurston had written it? Who could have written a funnier Ulysses? Were members of the Bloomsbury Group actually total bores? And perhaps most important: Does...

Marlon and Jake share their "gateway" books by dead authors, the first books they read that that turned them on—or off—the rest of an author's work. From John Steinbeck to Dorothy Parker, Umberto Eco to Norman Mailer, Ayn Rand to Carson McCullers, Marlon and Jake don't hold back in discussing the imprints, footprints, and thumbprints these books left on them. They also ponder the long-lasting consequences of the high school lit class, whether a gateway book can be assigned, and the enduring...

In this episode Marlon and Jake ponder the tricky question of the last books by authors who’ve … um … left this mortal coil. Which last books are actually worth reading? (Not many, it turns out.) From Roberto Bolaño to Penelope Fitzgerald, Sylvia Plath to Eudora Welty, Marlon and Jake discuss how an author's last book compares to their previous ones, how success and age changed how and what they wrote, and the wistfulness that comes when some last books are actually good and you wonder what...

We've heard them rave about their favorites and rant about their least favorites, but Marlon and Jake reveal in this episode their second favorite books by dead authors: the books they love that are the runners-up to the #1 spots in their hearts. From Amos Tutuola to Gabriel García Márquez to John le Carré and more, Marlon and Jake explore why one's favorite book by an author might not always be their best book, what separates an intellectual vs. an emotional response to a book, and the...

Marlon & Jake weigh in on the age-old “artist versus art” debate, as they examine good books by problematic dead authors, as well as the bad and sometimes problematic books by great dead authors. From Flannery O’Conner to Roald Dahl, Vladimir Nabokov to the surprisingly challenging Charles Dickens, Marlon & Jake explore the thorny questions surrounding the books worth fighting for and the ones worth fighting over. How exactly do we define terrible books? Is there a statute of...

Marlon and Jake talk short books they love, syllabus staples to skip (Hemingway die-hards, consider yourselves warned), and their first-ever real-time joint read, Blood on the Forge by William Attaway. What does Marlon consider the closest thing to a perfect novel? Tune in to find out!

Marlon and Jake reunite to discuss the books that got them through the pandemic, classics they wish they had written, and whether Lord of the Flies needs a sequel.

Marlon and Jake are back with a sizzling new season of the dead authors they love, hate, and will never agree on. Get ready for even more heated (and hilarious) debates, unexpected insights, and—of course—brutal honesty. Dead authors never felt so cool.