Former stand-up comedian Max Delsohn sits down with Jared to talk about how humor and detailed line-level revision show up in his work for the stage and the page. Plus, he discusses a pleasure-forward writing process, switching MFA programs after the first year, and his experiences with big-name faculty like George Saunders and Mary Karr. Max Delsohn is a third-year MFA candidate in fiction at Syracuse University. His writing appears in McSweeney's Quarterly Concern, VICE, Joyland, The...

What’s involved in an English PhD with a creative dissertation? Abhijit Sarmah tells Jared about how this path allows him to pursue his research on global indigenous literatures while continuing to craft poetry on identity and insurgency in Assam, India. Abhijit also discusses postmemory, or the memories we inherit from earlier generations, writing about your homeland when you live far from it, and the strong literary scene in Athens, Georgia. Abhijit Sarmah is a poet and a researcher of...

On this episode, Sam Herschel Wein tells Jared about their path to finding poetry outside of academia, co-founding and editing Underblong, and their approach to collaboration and humor in their writing. Plus, they discuss the nuances of MFA program decisions (Two or three years? English or Art departments?) and whether creative writing should live within institutions of higher education at all. Sam Herschel Wein (he/they) is a lollygagging plum of a poet who specializes in perpetual...

The podcast team is on spring break, giving us (and you) the perfect opportunity to revisit an episode we love. In celebration of her new short story collection, GREEN FROG, we invite you into this conversation with Gina Chung who spoke to Jared last season about her debut novel, SEA CHANGE. Gina Chung, debut author of the speculative novel SEA CHANGE, tells Jared how the book began with a writing prompt in her MFA program and how her fellow students encouraged her to turn it into a novel....

Memoirist and director of the Institute of American Indian Arts MFA program Deborah Jackson Taffa talks to Jared about her new book, Whiskey Tender. Deborah shares how memoir writing is a form of familial and historical preservation, and offers advice on having difficult conversations with the real people who appear in our creative nonfiction. Plus, she discusses the value of the low-res IAIA program for both indigenous and non-indigenous writers, offers strategies for sustaining creative...

Drawing from her decade-long career in Silicon Valley, Jamie Li tells Jared about writing tech satire that struck her MFA colleagues as far-fetched and her tech friends as totally realistic. Plus, Jamie talks about how her background as a Chinese immigrant and the model minority myth shape her interest in writing about in-group/out-group behaviors, and her attraction to VCFA’s emphasis on experimental and cross-genre writing. Jamie Li is a Southern California-based fiction writer and product...

The podcast team has been busy at the annual AWP conference, so we’re bringing you a rerelease of a great conversation from Season 2. A new episode will be in your feed in two weeks. Luna Adler talks to Jared about moving between fiction and non-fiction, Brooklyn College’s unique novel-writing workshop aimed at accommodating the long form, the tension between a slow revision process and rapid MFA deadlines, and the benefit in recording one’s writing time while allowing grace for a broad...

Kate Brody, debut author of the literary thriller RABBIT HOLE, sits down with Jared to talk about crafting a true crime novel that focuses on the victim’s family. Drawing from her own experiences with publishing, she also offers advice for choosing an agent, pivoting if your book doesn’t sell, and marketing your work. Finally, she shares the most memorable pieces of advice from her own MFA teachers, including Mary Gaitskill, E.L. Doctorow, and Amy Hempel. Kate Brody holds an MFA from NYU and...

Noah Evan Wilson spent ten years finishing his undergraduate degree while developing as a musician and a photographer. On this episode, he talks with Jared about how that decade of experiences animates his current writing, how the craft of music and photography overlaps with and informs his fiction, and how the MFA has provided him the opportunity to experience college in a way he wasn’t able to before. Noah Evan Wilson is a writer and musician based in New York City, and a second-year MFA...

Happy New Year from the pod team! We’re ringing in 2024 with a vacation, so enjoy this episode from our last season. Regular programming will resume in two weeks. What’s it like writing historical fiction in an MFA program? On this episode, Kayla Cayasso tells Jared about the family histories and archival research that informed her collection portraying families affected by generational trauma. She also talks about the unique role of Florida in Southern literature, the advantages of...

When she became a mother, Sarah Ann Noel turned to autofiction as a way to process her own childhood. In this episode, she sits down with Jared to share how those reflections became a novel about teenagers growing up in a high-control Evangelical environment. Plus, she talks about shifting from magazine editing to creative writing, attending jet-lagged residencies in Paris, and getting feedback on her work from her literary heroes. Sarah Ann Noel is a writer and editor of fiction and...

Finance proofreader turned full-time poet Matt Farley joins Jared to share how his transition out of the corporate world affects his perspective on his MFA program and future career. Plus, Matt talks about his manuscript on mycology and post-traumatic growth, becoming a parent during the MFA, setting up a thesis committee, and Miami University’s emphasis on play, practice, and experimental learning. Matt Farley is a queer poet, activist, and multimedia artist from Ohio. He is currently...

During this season of gratitude, we are grateful for all of you, dear listeners, writers, and friends. We’re also grateful for a university-sponsored break from our laptops. So, as we take a pause from the screens, we hope you enjoy one of our favorites from Season 3. We’ll be back to our regular programming in two weeks. Jonathan Escoffery, author of the highly acclaimed debut collection If I Survive You, sits down with Jared to discuss how this book grew out of his MFA writing sample and...

This week, an MFA with an international focus! Krista Diamond sits down with Jared to talk about UNLV’s required (and funded) study abroad component and its emphasis on translation. Plus, Krista shares lessons learned as a freelance writer, info on the Vegas literary community, and how her experience working and living in national parks informs her fiction and nonfiction alike. Krista Diamond is a Las Vegas based writer whose work has appeared in or is forthcoming in The New York Times,...

Happy MFA Application Season to all who celebrate! Jess Silfa returns to the show bringing seven years of experience with the MFA Draft Facebook Group. On this episode, Jess and Jared offer advice for applicants across a wide range of topics: teaching, funding, health insurance, fees, faculty, letters of recommendation, writing samples, statements of purpose, negotiations, timelines, and more. Good luck, friends. Jess Silfa is a writer and poet from the South Bronx. They hold an MFA from...

Spooky season? More like application season! To help ease your fright, we've got our annual MFA application episode in preparation. Before then, we invite you to check in with last year's episode featuring MFA Admissions Coordinator Lindsay Bernal. Our new episode will be in your feed in two weeks. It’s the third annual MFA application episode! This time, Jared is joined by Lindsay Bernal, poet and Academic Coordinator for the MFA program at the University of Maryland. She answers listener...

Poetic forms are sometimes considered limiting, but can we find freedom within the constraints? On this episode, Brandon Blue tells Jared about how recontextualizing traditional forms through the lens of identity creates an additional, sometimes subversive, layer of meaning. Plus, he discusses writing about intimacy and eroticism within and outside of sexual relationships; how he decided to pursue an MFA after teaching middle and high school for seven years; and the importance of advocating...

What can you learn from a veteran of two MFA programs and an admin of the MFA Draft Facebook page? A lot! Jess Silfa joins Jared to talk about how living in New York, growing up in a Caribbean oral storytelling tradition, and being disabled has influenced their writing. They also discuss their decision to leave one MFA program for another, explain what makes Nashville a surprisingly supportive community, and offer advice for disabled applicants.  Jess Silfa is a writer and poet from the...

Poet, essayist, and Professor Ross Gay talks to Jared about his new book, The Book of (More) Delights. Together, they discuss how social connection evokes joy, grief, humility, and heartbreak, and the value of practicing radical empathy in our writing and our daily lives. Plus, they talk about Ross’s approach to the creative writing classroom, a space he conceives of as generative, experimental, and cooperative. Finally, he offers advice for students and emerging writers. Ross Gay is the...

The pod team is wrapping up our summer vacation. In the meantime, we’re rereleasing one of our favorite episodes from our first season. We’ll be back with new and exciting episodes in two weeks.  How is the zombie of Haitian folklore a poetic metaphor for how society treats Blackness? Bryan Byrdlong of the Helen Zell Writers’ Program at the University of Michigan tells Jared about his project on the traditional and modern conceptualization of zombies, whether poetry can transcend fake news,...

The pod team is on summer vacation! While we rest, recharge, and record some fabulous Season 4 episodes, we hope you enjoy this rerelease from our first season.  With political and social unrest rocking his home country of Venezuela, Alejandro Puyana turned to writing as a way to process. He applied to MFA programs four times before landing an acceptance at the Michener Center for Writers. Now, you can read his work in The Best American Short Stories anthology for 2020. Alejandro and Jared...

Prose encompasses fiction and nonfiction, but how does the genre affect our process? On this episode, Amanda Scott discusses her “fragmented” approach to the page both across genres and with hybrid techniques. Plus, she discusses how diverse family backgrounds have shaped her identity and writing, as well as how her background in technical communication and her editorial experience informs her current PhD work. Finally, Amanda and Jared chat about the thriving literary scene in Kalamazoo and...

How do you write about the climate crisis without becoming didactic? On this episode, Simon Graham describes their approach to activist writing, guided by their experiences growing up on the beaches of Australia and working in environmental policy. Plus, they talk about queering the crime fiction genre, the financial realities for international students living in Seattle, and remembering who you’re writing to, for, and with. Simon Graham is an Australian writer, educator, and climate change...

What’s it like writing historical fiction in an MFA program? On this episode, Kayla Cayasso tells Jared about the family histories and archival research that informed her collection portraying families affected by generational trauma. She also talks about the unique role of Florida in Southern literature, the advantages of multi-genre workshops, and the importance of Black and Brown representation in literature. Kayla Cayasso is an Afro-Latina writer and poet from North Florida. She is a...