In this edition of The Art of Assembly in cooperation with cultural worker and activist Teodor Celakoski (HR), Artist, activist and former member of the Spanish parliament Marcelo Expósito (ES) and philosopher Athena Athanasiou (GR) give insides in movements in their countries.

In this episode of The Art of Assembly, which took place in April 2022 at brut nordwest, the theatre group andcompany&Co. praises the intelligence of insects and considers renaming itself ANTCOMPANY, while philosopher Eva von Redecker proposes a “revolution for life” in order to escape the prison of capitalism and find new forms of solidarity: Care instead of domination, regeneration instead of utilization, participation instead of exploitation.

In cooperation with Goethe Institute New York, this edition of The Art of Assembly l looks at radical approaches to audiences, turning them from spectators into participants, witnesses, collaborators, and enemies.

David Mulder van der Vegt, who has researched the design of the parliament halls of all 193 member states of the United Nations, reflects on the correspondence between their layout and the type of democratic structure they represent; Markus Miessen proposes the concept of “crossbenching” as a practice of independent individuals acting without mandate, and without having to respond to a pre-supposed set of protocols or consensual arrangements.

Lesungen & Gespräche mit ukrainischen Dichter*innen. Eine Kooperation des Instituts für Sprachkunst der Angewandten in Kooperation mit brut Wien und Literaturhaus Wien. Hier geht es zur Aufzeichnung der zweiten Ausgabe vom 16. Mai 2022. Zu Gast war: Kateryna Kalytko

Lesungen & Gespräche mit ukrainischen Dichter*innen. Eine Kooperation des Instituts für Sprachkunst der Angewandten in Kooperation mit brut Wien und Literaturhaus Wien. Iryna Tsilyk war zu Gast in der 2. Ausgabe der Reihe.

Theater director Milo Rau believes in staging and realistic representation in his plays, while for his tribunals and trials he invented what he calls „symbolic institutions“; the School of Resistance uses theatrical settings but understands itself as an activist, not an artistic project; and the activists Isabelle Fremeaux and Jay Jordan believe: If you truly want to do politics, you have to desert the institution of art and entangle insurrectionary imagination into the everyday life of...

Hospitality – with all its seeming generosity – is a complex concept: Who is invited into our societies, our assemblies? What are the relationships between guests and hosts? Is unconditional hospitality possible? The architecture of public space, the infrastructures of coming together, the borders and thresholds around them inform how we come together, what is prevented from happening, what is possible. The 11th edition of The Art of Assembly looks at the physical relations of gatherings, how...

Multitude is a „multiplicity of singularities acting together“ (Antonio Negri/Michael Hardt), „the many, seen as being many“ (Paolo Virno): a network that is neither homogeneous nor self-identical. The concept of the multitude is a counterproposal to the idea of the people, a revolutionary subject that is difficult to grasp or to define – and has been both praised and criticized for this openness. The 10th edition of The Art of Assembly looks at the role of the assembly as a tool and strategy...

Ahmed Al-Nawas, Nora Sternfeld, Sarah Waterfeld / Staub zu Glitzer & Florian Malzacher discuss gentrification, occupying institutions like museums or theaters and share their experience with various projects and their research as well.

Professor for Political Science, Jodi Dean, and visual Artist, Jonas Staal, discuss the performative aspect of protests and assemblies for example the storming of Capitol Hill.

Judith Butler and Max Haiven reflect on the 10th anniversary of Occupy Wall Street.

Belgian political scientist Chantal Mouffe and French author, sociologist and philosopher Didier Eribon discuss ”Agonistic Gatherings” with their host and creator of this brut series, Florian Malzacher.

Mit bruts künstlerischer Leiterin Kira Kirsch spricht sie über das Schreiben für die Bühne, der Herausforderung ein Universitätsinstitut zu leiten, das Arbeiten im Kollektiv und österreichisches Trash-TV.

What is it like to lead an international theater festival during a global pandemic? Kira Kirsch and Christophe Slagmuylder talk about his career, transformative experiences and his definition of a good theater festival. The conversation revolves around contemporary performing arts in Brussels in the 80ies and how to take care of oneself in a stressful job by hiking in the wild nature.

Im Gespräch mit Kira Kirsch erzählt Stefanie Sourial von ihrem Werdegang als Künstlerin und ihrer Arbeit auf und hinter der Bühne. Sie berichtet aus der queeren Performanceszene Wiens, über die Entwicklung und Inhalte ihrer Projekte, sie erzählt von großen Lebensentscheidungen, prägenden Einflüssen und dem persönlichen Zweifeln, das sie in ihrer Biografie begleitet.

Kira Kirsch speaks with Australian theatre amker Smara Hersch, whose interactive online performance celebrated its Austrian premiere at brut's imagetanz festival 2021. Body of Knowledge at Home is invited to Impulse Festival 2021.

Der Podcast „New Art on Air“ stellt Künstler*innen der Freien Performance-, Tanz-, und Theaterszene vor und stellt Fragen nach künstlerischem Schaffen und der Kunst des Lebens, danach was inspiriert, motiviert und bewegt.