Director Imogen McCluskey continues her exploration of suburban Australia with the comedy-drama film Nugget is Dead: A Christmas Story. This delightfully relatable Aussie Xmas tale was written by Jenna Owen and Vic Zerbst, who both act in the film alongside Aussie screen legends like Gia Carides, Damien Garvey, Ed Oxenbould, Steve Rodgers, Mandy McElhinney, Kerry Armstrong, and Tiriel Mora, and more. Steph Stool is a dermatologist in training who has her feet in two worlds. The shiny sheen of...

Welcome to a special Adelaide Film Festival round up discussion featuring myself, Virat Nehru, and Nadine Whitney. While we have known each other for years, the 2024 Adelaide Film Festival was our first opportunity to meet up in person, watch some films, and do what film critics do best: talk about them afterwards. The following discussion sees us traipse along a path of the highs and the lows of the Adelaide Film Festival, with each critic highlighting some of their favourite films for the...

In the heart of Adelaide, a movement is changing the conversations about film and film culture. That movement is called moviejuice, a ground up driven collective of artists, filmmakers, film theorists and enthusiasts, who commune to watch, experience, and talk about film and art culture together. Created by Shea Gallagher, Daniel Tune, and Louis Campbell, moviejuice was born in the backyards of Adelaide, spotlighting the sonic landscape of the city with live music and films like Tim Carlier's...

Director Samuel Van Grinsven returns to our screens with his sophomore feature film, Went Up the Hill, a powerful drama about an abandoned child, Jack (Dacre Montgomery), attending the wake of a mother he never knew, and encountering her grieving widow, Jill (Vicky Krieps). As Jack and Jill navigate the fractured existence they find themselves in, Elizabeth's spirit emerges in curious and strange ways by possessing each character, resulting in a narrative that flows into the realm of being a...

Kate Blackmore's feature length film debut, Make It Look Real, navigates the intricacies of utilising an intimacy coordinator on the set of a film. Kate follows intimacy coordinator Claire Warden as she embarks on the collaborative process of presenting sex on screen for Kieran Darcy-Smith's film Tightrope, which features three Australian actors who each are asked to simulate sex on screen in different ways. Throughout Make It Look Real, we see frank and open conversations between Claire,...

Regular readers of The Curb will know that I have a particular soft spot for the work of Sally Aitken. Through her expansive filmography that tells stories that span the globe, from David Stratton, to Valerie Taylor, to The Wiggles, and now to Every Little Thing, a film about Terry, a wildlife carer in California who runs a rehab facility for hummingbirds, Sally has managed to provide a generous, kind, and considerate perspective of the world and how we interact with it. Every Little Thing is...

Director Silje Evensmo Jacobsen's documentary A New Kind of Wilderness won the 2024 Sundance Grand Jury Prize for World Cinema – Documentary and will be screening at the Adelaide Film Festival on Saturday 26 October and Tuesday 29 October. This serene and moving film follows a young family in the midst of transition. Parents Maria and Nik are raising their four children on a remote farm in Norway, teaching them a self-sustainable way of life and learning how to live alongside the land they...

Documentarian Ian Darling's filmography includes a myriad of films that explore the fabric of Australian society. With Paul Kelly - Stories of Me, Darling immersed viewers into the poetry of one of Australia's greatest lyricists. In The Final Quarter, the excoriating and cruel racism inflicted upon footy legend Adam Goodes is explored through the media's coverage of the event. Then, working as a producer on a film like The Department, Darling shines a light on the people who keep the child...

The AFLW was established in 2016, expanding from an initial eight teams to eighteen in 2022. In the years since it launched, the league has grown to showcase the different styles of football that each corner of Australia has to offer. In Sal Balharrie and Danielle MacLean's essential documentary Like My Brother, we follow four AFLW hopefuls from the Tiwi Islands, Rina, Freda, Juliana and Jess, as they follow their dream to become league players.  But, dreams aren't always meant to happen...

Over the span of eleven minutes, the impressive short film Yeah the Boys sways and swerves through a boozy night with the lads in nondescript backyard Australia. Drinking culture, Aussie larrikinism, and the masculinity that finds fertile ground in these areas is brought to life with a pulsing score by The Avalanches. Oh, and all of this is presented with an the organic dance movements choreographed by Vanessa Marin.  Yeah the Boys is written by Vanessa, with her partner Stefan Hunt taking...

To call Parish Malfitano's sophomore feature, Salt Along the Tongue, a straight up horror film feels like a disservice to the experience of watching this magnificent melodrama-adjacent film. Yes, there are most certainly horrific elements - blood features heavily throughout the film, upsetting tales about the symbiotic relationship between wasps and figs are told, bodies float in the air in unsettling ways, boils and scars emerge in haunting ways on the legs of characters, and of course, the...

Finnish-Australian filmmaker Saara Lamberg has crafted a filmography which features genre-defying, boundary pushing films like 2017's Innuendo, 2022's Westermarck Effect, and the docu-fiction film The Lies We Tell Ourselves, which received screenings at Perth's Revelation International Film Festival and the Sydney Underground Film Festival. Screenings of The Lies We Tell Ourselves at these festivals became an event that spilled out of the cinema and into the foyer, with Saara dramatically...

The Koalas is a documentary that follows in the footsteps of the McIntyre's Kangaroo: A Love-Hate Story and Jane Hammonds's Black Cockatoo Crisis, in that it essays the plight of an Australian icon - the koala - alongside the stories of the activists, ecologists, politicians, and wildlife carers who are putting themselves on the line to save the iconic creature. Directed and produced by Gregory Miller and Georgia Wallace-Crabbe, The Koalas is a powerful, if at times devastating, documentary...

The upcoming 18th Annual Sydney Underground Film Festival kicks off in Newtown, NSW, on Thursday 12 September with a Smell-O-Rama screening of John Waters cult classic Female Trouble, celebrating its 50th anniversary. The festival runs until Sunday 15 September with a huge array of films and features ranging from the truly bonkers Vulcanizadora to the superbly surreal Can't Stop the Music extravaganza, alongside frightfully great features like the Aussie dark comedy The Organist to the latest...

Law Chen's familial documentary Starring Jerry as Himself follows retired Florida man Jerry C. Hsu as he's recruited by Chinese police to become an undercover agent. The documentary follows Jerry as he retells his story about how he was recruited, what actions he needed to take to help inform the agents, and, most importantly, the lengths he goes to to hide his recruitment from his family. Starring Jerry as Himself features Jerry and his family re-enacting Jerry's story, which is frequently...

One of the smash hit films of the year on the festival circuit has been Mike Cheslik's wonderfully inventive Hundreds of Beavers. Ahead of the films launch in Australia earlier this year, Nadine Whitney caught up with the creative team behind the film to discuss all of its eccentricities. Nadine wrote about the film in her review saying: Describing Hundreds of Beavers is almost reductive. It is quite simply a film that must be experienced to appreciate its genius. It is symphonic physical...

With 2021s phenomenal documentary River under his belt, filmmaker and musician Joseph Nizeti is no stranger to bringing the world of nature to life on the big screen in a way that transforms how we see the environment with live alongside. With his latest film, Fungi: Web of Life, which he co-directs alongside Gisela Kaufmann, Joseph turns from the worlds rivers to the unexplored world of mycology. Fungi: Web of Life is a 3D IMAX presentation which makes its Australian premiere at the 2024...

When tickets went on sale for Andy Burkitt and Jack Braddy's independent Australian feature film, The Organist, at the 2024 Melbourne International Film Festival (MIFF), the filmmakers managed a rare feat: they sold out their first two screenings, with a third screening quickly being scheduled. Receiving wide audience support for their world premiere is a phenomenal achievement for these emerging filmmakers. The Organist is a darkly comedic film that speaks to the current global cost of...

Akmal Saleh is one of Australia's finest stand up comedians having spent decades keeping Australians entertained through his observant and enjoyable brand of comedy. When not on the stage, Akmal can be heard on screen in an array of kids animated shows like The Wild Adventures of Blinky Bill, Tracey McBean, and the superb animated series 100% Wolf. The sequel to the 2020 werewolf hit, 200% Wolf, hits cinemas on 8 August, and as I continue my championing of the film with interviews with...

In a Violent Nature is one of the most gruesome and gory horror films of the year. It's also a film that Nadine Whitney has called a pure slasher death trip. Director Chris Nash takes audiences on the slasher ride of the year, with his camera following the gnarly Johnny (Ry Barrett) as a silent brute slaughtering an array of college kids who possibly deserve their squishy demise. In the following interview, recorded ahead of the films Australian release on 1 August 2024, Nadine discusses the...

Ruby O'Sullivan-Belfrage is a writer and critic who works and plays on unceded Wurundjeri land. In the wake of Afterwar’s screening at Sydney Film Festival, Ruby O’Sullivan-Belfrage spoke with director Birgitte Stærmose about the impact she hopes the film has, the nature of truth, and how truly annoying the question of genre can be.  Afterwar screened at the 2024 Sydney Film Festival, with a release to come in the future. For more interviews and reviews, visit The Curb.com.au. The Curb is...

Taylor Broadley's feature debut film Stubbornly Here is a welcome blast of indie filmmaking inventiveness with the Perth-based filmmaker presenting a sci-fi-adjacent story about three teens who live in an apathetic society where teenagers sometimes vanish into thin air. Stubbornly Here speaks to the anxieties of the day, focusing on a generation of kids who have grown up in a world that does not support their future and who the vitality of youth has been robbed of them. Yet, for all of its...

There's space in this Bluey obsessed world for two Aussie animated canine stories, with Alexs Stadermann's utterly delightful and wonderfully inventive series 100% Wolf following the exploits of one Freddy Lupin, a werewolf who turns into a puffy pink poodle when the moon comes out. Kicking off in 2019 with the bright and brilliant 100% Wolf which saw Freddy at odds with his pack as he had to prove that he had the heart of a wolf, a hugely successful TV series spawned, following the story of...

The boxing film subgenre gets an esteemed new entry in the form of Paul Goldman's Kid Snow. Set in the 1970s, Kid Snow follows Billy Howle as the titular character, a washed-up fighter who has one last shot at glory. Shot in the red dirt of WA, Kid Snow also features an impressive line-up of Aussie actors including Phoebe Tonkin, Hunter Page-Lochard, Mark Coles Smith, and Nathan Phillips. Nadine Whitney spoke to Paul Goldman ahead of the World Premiere at the 2024 Sydney Film Festival, with...