The tenth episode, with artist and filmmaker Su Yu Hsin, began with one of her many memories related to water, and how the appearance of light on water is indispensable for her when thinking with water. Su Yu Hsin’s homeland, Taiwan, is an island where water has a strong presence due to typhoons and the island’s atmospheric condition. In her artistic practice, she approaches ecology in its close relationship with technology, also investigating the ideology inherent to map-making throughout...

The ninth episode, with ship captain and sea rescue activist Carola Rackete, begins with her early research in the Arctic and Antarctic, and how she was able to sensibly feel the melting of the poles, without the need for scientific data. That was also when she decided to engage in political action in order to have a real impact on the multiple forms of violence the capitalist system perpetrates, both human and environmental, both individual and structural. This podcast is the result of a...

The eighth episode, with professor and anthropologist Elizabeth Povinelli, begins with her idea of axioms of existence, which put in crisis the abstract and universalist condition of Western philosophy. The ocean is not far from Western epistemologies and ontologies. In fact, it is totally entangled in them thanks to their intimate—and strategically invisible—relationship with colonial history and violence. The notion of geontopower, coined by Povinelli, critically revises the Foucauldian...

The seventh episode, with curator Camila Marambio is an approach to Tierra del Fuego from her personal experience with a part of the world with which she has a strong emotional connection. As she states, Tierra del Fuego, "despite its remoteness, is the center of the world". Karokynka is the name by which this area of the world is known by the native Selk'nam people, a culture that still survives in its descendants despite its official death by the modern state of Chile. The fact of...

The sixth episode, with writer, lecturer, and curator Filipa Ramos is an approach to cinema from the ocean and to the ocean from cinema. Beyond the production of underwater images, there is a political relationship between cinema and the underwater world. As vision devices, the projection room and the tank or aquarium are related in their production of the fiction of a safe environment for the human being. Moreover, there are aquatic creatures capable of producing cinematic images, allowing...

The fifth episode, featuring feminist philosopher Astrida Neimanis, puts into practice one of the author's methodologies: “thinking with water.” As a material, water not only enables a relational ontology when thinking about the reality that bodies inhabit and produce, but also allows for an understanding of feminism that transcends the human and incorporates a planetary and intersectional scale where race, class, and gender are in constant intra-action. This podcast is the result of a...

The fourth episode of the Corona Under the Ocean series, with agent of healing and artist Tabita Rezaire, is dedicated to the memory of water and its existence in flow within bodies. Water has Memory is the result of an intimate, personal, and mostly unscripted conversation between Tabita Rezaire and Sonia Fernandez Pan. It even includes environmental elements, such as rain, showing how words, feelings, and ideas are also part of the flow of life that circulates through bodies. The great...

The third episode of the Corona Under the Ocean chapter, featuring anthropology professor Cynthia Chou, is dedicated to the Orang Suku Laut, a nomadic community from the Malay world sea in Southeast Asia. Thanks to more than three decades of research, Cynthia Chou’s work brings us closer to the worldview and life practices of the Orang Suku Laut, for whom humans are just another element among the many creatures that inhabit oceans and land. Continually moved by the tides, their ancestral...

This episode, featuring marine biologist Marah J. Hardt, is dedicated to the vitalism and resilience of the ocean. Outlining her personal journey as a researcher, Marah J. Hardt provides a propositional critique of our relationship with the maritime environment, present but not always visible on a global scale. Understanding ocean research as a necessarily interdisciplinary practice, her scientific practice highlights the importance of storytelling as a tool for dissemination of ideas. In “We...

The first episode of the series Corona Under the Ocean is dedicated to Oceania. Did you know that the Pacific Ocean was named so by Ferdinand Magellan, referring to his feeling that the sea was dull over there? In this conversation Greg Dvorak, Professor of International Cultural Studies at Waseda University in Tokyo, reflects on how the colonizer’s view has affected the region and, on how the word indigenous needs to gain even more political meaning.

Our nature inclines us to listen to stories, not to lists, charts, and equations. To change our mind, we need a compelling narrative that turns obstacles into challenges and chances into hopes. The role of art is to foster that transformation, but also to spoil it wherever it’s lame.Listen to Chus Martínez in conversation with artists Lena Maria Thüring and Teresa Solar.

If it’s already difficult to protect nature in our own country, how do we protect nature in the extraterritorial sea? And who is there to protect the nature—and the people—of a country that is disappearing into the sea?Listen to Chus Martínez in conversation with Francesca Mussi, a researcher in international law.

Science has to generate output. Art has to cater to an audience. Could art and science join forces to free science from definite outputs and art from definite audiences? Or would art then also be measured by its outcome and science by its audience?Listen to Chus Martínez in conversation with artists Julieta Aranda, Marco Roso, and Elena Mazzi.

We affirm ourselves as the center of evolution by saving it from our own destruction. Our new heroism is to keep things, at best, as bad as they are. What does good even mean? We are the joke of evolution—and nobody’s laughing.Listen to Chus Martínez in conversation with marine scientist Skye Morét and writer Ingo Niermann.