The art of postwar German artist Anselm Kiefer and the poetry of Holocaust survivor Paul Celan are both layered, dense, and hard to read. Sometimes the best starting point is through the layered, dense, and idiosyncratic ways that an individual processes trauma. So grab a spelunking hardhat and together we'll mine these layers of metaphor and materials, texture and text, golden straw and blackened ash, that comprise the unimaginable. This episode was produced by The Lonely Palette. More...

This episode talks about a number of pieces by Alexander Calder. Calder is most well known for his mobiles, giant hanging pieces that move subtly with the currents in the room. This episode was produced by Accession. More episodes at accession.fm.

Roxane Gay reflects on Kara Walker's Christ's Entry into Journalism (2017). The Way I See It, "Roxane Gay and Kara Walker's Christ's Entry into Journalism" was produced by the BBC in association with the Museum of Modern Art New York. More episodes at www.bbc.co.uk/programmes/m0009bf6.

The best-selling novelist and essayist, Olivia Laing explores the influential abstract artist Agnes Martin (1912-2004). Martin – a gay, working class woman who forged a path in a male-dominated art world – embraced solitude and didn’t have her first solo show until she was 46. This episode was produced by Reduced Listening © Frieze. More episodes at frieze.com/article/bow-down-podcast-women-art-history.

Art History For All guides you through Roberto Matta’s surreal mental landscape, Invasion of the Night (1941), and explores its connections to physics and psychology. This episode was produced by Art History for All. More episodes at arthistoryforall.com.

This episode focuses on Betye Saar (b. 1926). In a 1975 interview, she discusses the diverse sources for her art and how she prevailed in the face of racism and gender discrimination. This episode is produced by the J. Paul Getty Museum Museum. More episodes at getty.edu/recordingartists/.

“A painting is not a picture of an experience. It is the experience.” — Mark Rothko This episode is produced by The Lonely Palette. More episodes at http://www.thelonelypalette.com/.

Connor is a portrait of President William Howard Taft. He's hanging on a wall, but is anybody looking at him? This episode is produced by Everything Is Alive. More episodes at https://www.everythingisalive.com/

This episode, "The Many Deaths of a Painting" was produced by 99% Invisible. More episodes at 99percentinvisible.org.