Today on the podcast, we chat with the collaborators of the World Premiere production, The Tattooed lady, A New Musical on stage at Philadelphia Theatre Company. Here is my interview with Max Vernon and Erin Courtney for The Tattooed Lady, A New Musical.

Today on the podcast, Marla Alpert talks about the new World Premiere farce by Ken Kaissar, A Leg Up, on stage at Bristol Riverside Theatre. Here is my interview with Marla Alpert.

This September, Bryn Mawr College Performing Arts Series will present the first career retrospective of theater artist Annie Dorsen titled Algorithmic Theater. The retrospective is part of a residency advancing Dorsen’s work and examining the consequences of digital communications through theater. Algorithmic Theater brings Dorsen’s work to Philadelphia audiences for the first time and features four of her past projects, including Hello Hi There (2010), Spokaoke (2012), A Piece of Work...

Today on the podcast, GUNNAR MONTANA returns to talk about the latest FringeArts offering, BATHHOUSE. Here is my interview with Gunnar Montana.

Set in an underground shopping mall turned nightclub, Junk’s newest experience, Luster, reveals the twisted nature of reality show competition and begs the question, “Where do we draw the line?” Luster gives patrons a behind-the-scenes look into the making of TRAGIC, a streaming show where aspiring reality TV producers are looking to make their mark in the edgy new world of internet reality TV. Luster begins by giving audiences a look behind the camera during a live broadcast of the TRAGIC...

Today on the podcast, TS Hawkins talks about the Education efforts of Theatre Exile. Here is my interview with TS Hawkins. TS Hawkins (they/them) is an international author, performance poet, art activist, playwright, and member of the Dramatists Guild. Plays, short works, and books include Seeking Silence, sweet bread peaches (formerly, Cartons of Ultrasounds), Too Late to Apologize, In Their Silence (formerly, They’ll Neglect to Tell You), #RM2B, The Secret Life of Wonder: a prologue in G,...

Today on the podcast, Director, Jerrell L. Henderson drops in to talk about Azuka Theatre’s 50th production, “Reverie” by newly minted Pulitzer Prize winning playwright, James Ijames. Here is my interview with Jerrell L. Henderson.

Today on the podcast, we talk about the final production of Theatre Exile’s 25th season, Today is My Birthday by Susan Soon He Stanton. Here is my interview with Rachel O’Hanlon Rodriguez and Daniel Kim for Today is My Birthday.

Today on the podcast, Theatre Philadelphia’s Executive Director, LaNeshe Miller-White talks about the 2022 Philly Theatre Week, featuring 85 events across the region. Here is my interview with Theatre Philadelphia’s Executive Director, LaNeshe Miller-White.

Today on the podcast, Without A Cue Productions stops by to talk about their latest offering, The Golden Girls Murder Mystery. Here is my interview with Without A Cue Productions.

Today on the podcast, Artistic Director, Tom Reing talks about the Inis Nua Theatre Company American Premiere, “Finding Fassbender” by Lydia Larson featuring Amy Frear. Here is my interview with Inis Nua’s Tom Reing.

Today on the podcast, director Tyrone L. Robinson talks about the Interact Theatre Company production of “This Bitter Earth” by Harrison David Rivers. Here is my interview with Tyrone L. Robinson.

Today on the podcast, I checked my confirmation, packed my bag and settled in for the night at Motel Montana the latest offering from Gunnar Montana after a long intermission. Here is my interview with Gunnar Montana.

Today on the podcast, Liam Mulshine and I play catch up, share thoughts on virtual theatre and talk about returning to the stage in-person with the Inis Nua American Premiere of A Holy Show by Janet Moran. Here is my interview with Liam Mulshine.

Today on the podcast, Hum N Bards talks about the FringeArts offering, The Hazards of Love, an adaptation of the acclaimed album by The Decemberists. Here is my interview with Hum N Bards for “The Hazards of Love”.

Today on the podcast, Mariangela Saavedra stops by to talk about the hybrid performance of “Rogues’ Gallery” by John Patrick Shanley, presented as part of Fringe Arts by The Stagecrafters Theatre. Here is my interview with Mairangela Saavedra.

Today on the podcast, Producing Artistic Director Damon Bonetti (He/Him) and Artistic Associate Eli Lynn (They/Them) stop in to talk about the FringeArts offering “QvK” , a classical clash of royal proportions. Here is my interview with Philadelphia Artists Collective for QvK. Stay Tuned!

Today on the podcast, we continue our coverage of 11th Hour Theatre Company’s SOCIETY XI ONLINE. The next installment of The Spring Series “Quarantine Cabarets” features Elena Camp and Rajeer Alford in a collection titled “Home Fries at Home: Music for the soul. Here is my interview with Elena Camp and Rajeer Alford. Stay Tuned!

Today on the podcast, CJ Higgins and Quinton J. Alexander stop by to talk about the Hum N Bard’s production of #Knightlife, a virtual renaissance Faire. Here is my interview for Hum N Bard’s #Knightlife. Stay Tuned!

Today on the podcast Michelle Pauls stops by to talk about the virtual series Speaking of Family… a series devised using phones, tablets and virtual meetings following a family dealing with the new normal that may or may not have a future. Here is my interview with Michelle Pauls.

Today on the podcast, 11th Hour Theatre Company presents SOCIETY XI ONLINE - The Spring Series. First up in a series of Quarantine Cabarets, Rob Tucker and Billy Bustamante pay tribute to musical theater with pieces paying homage to Broadway greats. Stay Tuned!

Today on the podcast, we return to Theatre Exile to talk about their production of Sin Eaters by Anna Monech and directed by Matt Pfeiffer. This production will be presented virtually and features Bi Jean Ngo and David M. Raine. Here is my interview with Bi and David about the Exile production of Sin Eaters. Stay Tuned!

Today on the podcast, Chris Davis ushers in the 11th season of Rep Radio. We talk about the rise of Virtual Theatre as we lay and wait in a global pandemic. Chris has brought a collection of his work to virtual stages, finishing off with the more relevant than ever performance of “One-Man Apocalypse Now” from his virtual studio. Stay Tuned!