What’s so seductive about the end of everything? What happens when you’re writing a novel about an apocalyptic future, and then an apocalyptic future arrives? NAOMI ALDERMAN, author of bravura sci-fi gender reversal novel The Power and now showrunner for its upcoming TV adaptation, talks to Dorian Lynskey about the appeal of Armageddon fiction in the midst of an actual global disaster. Plus, a guide to the end-of-the-world novels that are really worth reading… and why our best guide to the current crisis is Groundhog Day.  “Every Utopia is a dystopia for somebody”  “Every death is a tragedy, and this is a serious time. But it’s worth remembering that many of us are going live through the most luxurious plague humanity has ever experienced.”  “Maybe it’s time for the return of the Utopia. I could certainly use one now.”  Presented by Dorian Lynskey. Audio production by Alex Rees. Produced by Andrew Harrison. The Bunker is a Podmasters production.  For information regarding your data privacy, visit acast.com/privacy