This series finale brings the interview journey full circle. Jeremy checks in with Adam Lisagor to see how his initial statements of how "lazy" he is have held up, as well as tearing down ideas to build them back up.

Jeremy sits down in Austin's Driskill Hotel with Ross Floate to discuss merciless treatment of ideas that solve no problems.

Take a peek into the beginnings of Jeremy's creative impulses during a discussion with Dave Colin, one of Jeremy's first creative collaborators.

Jeremy speaks to advertising icon Luke Sullivan via phone about infinite resignation and slow boiling.

A conversation with Darrin Ross about throwing lots of creative ideas at the wall seems to resonate very well in the twilight of this show's existence. Best show yet.

Twitter jokes aren't all just fun and games. There's a craft to them and, in Jason Sweeney's case, a deeper source of joy and healing.

The rain at SXSW isn't stopping people from finding interesting things that inspire them. Everyone except for the guy at the end.

A bad travel day makes the plans for a dazzling opening SXSW episode fall flat.

It's Open Topic week yet again. Jeremy lays out his plan for possible self-destruction in Austin, TX.

Two Kansas City boys, thrust into Internet renown in part by nods from John Gruber, sit down for coffee and discuss taking big leaps.

Good friend and creative colleague Pat Piper stops by the studio for beer, discussion about packaging, movies and keeping big ideas free of window dressing.

In the first official "Open Topic Tuesday," Jeremy comes clean on being creatively burned out and verbally works through how to fix it. Also, a new programming schedule is revealed.

A recurring theme for this show is that everything great starts somewhere small. Timmy Fisher and a group of friends built motion graphics studio MK12 from humble beginnings in an apartment above a bar.

I've received a number of questions over the past few weeks regarding different aspects of this show's production. I thought I'd take you through the process of how the show gets produced.

Retreating from the world to do the hard parts of creative work is one way to get the right focus. Toni McLellan wants to help you mentally sweat out those ideas in an inspiring, encouraging environment.

We've all picked up random hobbies when faced with absolutely nothing to do. But how many of those time passers turn into a true outlet for expression? Bruce Seeds discusses how the control and precision from a life of architecture/CAD translates into the geometric beauty of quilted textile art.

To close out 2011, writer and artist Austin Kleon discusses the myriad of ways he works to end the messy divorce between words and pictures.

Jeremy and Ad Contrarian Bob Hoffman discuss that just because technology allows one to do so many things, it's not always the best idea to do them. Especially in marketing. Does your idea really need to be social?

Jeremy and his wife Robin look back at the last 50 episodes and discuss where the show has been and where it may go in 2012.

A discussion about quirky kids meets a quirky host with a quirky Skype setup.

The smart creative person knows that a trophy case full of failures is as important as the successes those failures ultimately produce. Some creative people, like Yuvi Zalkow, have a true affection for failure and wear it like a badge of honor.

Improv is more than just a comedy form. Good improvisation skills translate into a variety of business skills that help you make better things, and Scott Connerly explains the fundamentals of freeing your mind.

The Industrial and Labor Relations School at Cornell University published a study on human response to creativity. Apparently even though we value creativity and innovation, truly novel and innovative ideas turn our stomach. My friend Jacob Edenfield and I discuss how knowledge work can be aversion therapy against this.

A well-rounded mind is a hungry mind, and San Francisco journalist Anna Rascouët-Paz tells Jeremy about all the ways she expands her world via unfettered curiosity.

Ford Motor Company was built by a tinkerer and inventor. In an age when branded social media still errs on the cautious side, Scott Monty takes the attitude of his corporate ancestor to guide communications that surprise and delight.