In Part 2 with writer Gabrielle Selz, author of Light on Fire: The Art and Life of Sam Francis, we talk about Sam Francis as he: Settles into his compound at West Channel Road in Santa Monica, and became the big-man-on-campus of the young (1960s) L.A. art scene; his relative absence as a father, his kids being left to run wild or spend time with Sam’s assistants; Sam’s self-empowered and grandiose painting process which included his mantra, “I am an Original” as he began to paint; the profound impact that his fifth (and final) wife, Margaret, had on Sam’s life, because of the way she corralled Sam off from the large and freely flowing group of friends who came in and out of the house(s), as well as how she enabled Sam’s adherence to bogus alternative medicine when he was suffering from cancer; the Dream Machines of his studios in the works, including many compounds simultaneously in development in northern California towards the end of his life; the resolution of his complicated Estate, including a contested will by his last wife; and where one might find Sam Francis paintings these days.