Giuseppe Castellano talks to illustrator and author, Jutta Bauer, about how she went from being a “bad pupil” to building a multi-award-winning career in illustration; what she has liked and disliked most about her career; whether illustrators today can change the world; and more.
Giuseppe Castellano talks to Dr. David R. McDuff, sports psychiatrist and faculty member at the University Of Maryland’s School Of Medicine, about his role as a mental preparation trainer for the Baltimore Orioles; what simple, doable, healthy routines help manage anxiety and stress; why athletes and artists should accept the positive energy fear can bring into their lives; and more.
Giuseppe Castellano talks to Shannon McNab, surface designer, educator, and founder of Sketch Design Repeat about how she took the leap from corporate graphic design to freelance surface design; how surface designers can build a portfolio, find clients, and negotiate fees; why illustrators should really follow their own paths; and more.
Giuseppe Castellano talks to author, critic, and children’s book historian, Leonard Marcus about his book, Pictured Worlds: Masterpieces of Children’s Book Art by 101 Essential Illustrators from Around the World; why Puffin’s tampering of Roald Dahl’s text opens the doors for publishers to rewrite—and re-illustrate—anything; why we should look to illustration’s history to understand its future; and more.
Giuseppe Castellano talks to Véronique Kirchhoff, Literary Agent & Founder of VeroK Agency, about what illustrators should never do when emailing an agent about representation; how she represents publishers, and what it takes for a children’s book from one country to sell in another; how to “put yourself out there”; and more.
Giuseppe Castellano talks to Philip Lee, cofounder and publisher of Readers to Eaters, about the founding of Lee & Low Books and the philosophy behind its mission; how wabi-sabi guides his editorial process; why “diverse” isn’t the right word when we talk about diverse children’s books; why he’s promoting food literacy from the ground up; and more.
This episode is sponsored by PencilBooth.
Giuseppe Castellano talks to Jason Chatfield, Cartoonist, Comedian, and President of the National Cartoonists’ Society, about what illustrators can learn from Jason’s multi-hat-wearing ways; how comedians and cartoonists are cut from the same cloth; how illustrators are not alone in the fight against art theft from AI-image generators; and more.
Giuseppe Castellano talks to Frances Soo Ping Chow, VP & Creative Director for Running Press and Black Dog & Leventhal, about her role and her time at Running Press; what words illustrators should never use when submitting portfolios to art directors; why illustrators should focus less on style, and more on quality; and more.
Giuseppe Castellano talks to Kerry Martin, Creative Director of Holiday House, Peachtree, and Pixel+Ink.
Kerry answers questions from Patrons of the podcast on submitting picture book dummies; what good habits she thinks illustrators should have; what catches her attention when she looks at portfolios; and more.
They also discuss what might be the worst piece of advice for illustrators.
Giuseppe Castellano talks to author, illustrator, creative director, and executive director of Illustration Institute, Scott Nash about welcoming discomfort and change into one’s creative practice; who’s to blame for the general public’s ignorance of illustration; why you should know who Dahlov Ipcar, Barbara Cooney, and other great illustrators are from the great state of Maine; and more.
Giuseppe Castellano talks to Cathy Olmedillas, founder of Anorak and Dot Magazines, about the early days of her career as a children’s magazine publisher; why respecting readers and paying illustrators seem to be novel business models in the children’s magazine world; why you should start an illustration career, or a podcast, or a magazine, with joy; and more.
Giuseppe Castellano talks to author, former New York Times art director of the Op-Ed page and Book Review, and co-chair of the SVA MFA Designer as Entrepreneur program, Steven Heller.
Steven talks about the early years of his career at the New York Times, and why the word “legacy” is on his mind; what he was looking for in an illustrator’s portfolio—beyond their ability to draw and paint; why he wrote more than seventy obituaries for illustrators, and why he stopped; and more.
Giuseppe Castellano talks to illustrator, character designer, and “brushmancer”, Max Ulichney about the importance of studying from your favorite artists’ favorite artists; why not having a stylistic home-base may not be a bad thing; how he designs (and how you should use) his MaxPacks brushes; and more.
Giuseppe Castellano talks to illustrator and educator, C.F. Payne about the early years of his illustration career, and how a frustrating portfolio review became a turning point; why he defines illustration as “art done under the circumstances”; why “get good” is the best piece of advice illustrators will ever hear; and more.
Giuseppe Castellano talks to illustrator and author, Bryan Collier about how he dealt with years of rejection and coded racism from publishers; why he thinks there is “no landing place for an illustrator”; what it means to be a “dream walker”; and more.
Giuseppe Castellano talks to Aram Kim, Art Director at Macmillan Children’s Publishing Group, about how she manages her creative duality as both art director and illustrator/author; what it feels like when a book you art direct (not illustrate) wins a Caldecott; why illustrators don’t need to know what she looks for in portfolios; and more.
Giuseppe Castellano talks to Charlie Bowden, agent and founder of Pickled Ink about the founding of her illustration agency; how illustrators should negotiate fees with clients; what it means to be a friendly agent; and more.
Giuseppe Castellano talks to Tracy van Straaten, Founder and President of TvS Media Group, about the difference between marketing and publicity in children’s publishing; what illustrators and writers should realistically expect from marketing and publicity departments; why the pre-order window is important when it comes to the life or death of a book; and more.
Giuseppe Castellano talks to illustrator and author, Steve Light about the early years of Steve’s illustration career; why drawing should be like breathing; what it means to be a stylophile; why a little bit of tenacity can take us a long way toward our goals; and more.
Giuseppe Castellano talks to multi-award-winning illustrator, R. Gregory Christie about how his illustration career got its start with the help of a local dance club; why illustrators would do well to adopt an entrepreneurial mindset; what Greg’s three keys are to making it as an illustrator; and more.
Giuseppe Castellano talks to organizers and artists involved with the first annual Kennett Square Arts Festival, in Kennett Square, Pennsylvania.
The organizers explain why proceeds from the fair are needed to support a new library, and how libraries are funded.
The artists share their experiences with exhibiting at festivals and fairs; why collecting emails from attendees is of utmost importance; why artists might want to consider doing pet portraits; what needs to be done to keep art from...
Giuseppe Castellano talks to artist and writer, Shaun Tan about his new book, Creature: Paintings, Drawings, and Reflections—and what he learned from compiling twenty-six years worth of his work; how illustrators can avoid falling into the rabbit hole of self-imitation; why having fun might be the best guide for any artist’s creative journey; and more.
Giuseppe Castellano talks to Anna Goodson, President & Founder of Anna Goodson Illustration Agency, about why—“post-COVID”—her illustration agency is busier than ever; how an illustrator should build their portfolio; whether social media is truly a necessary marketing tool for illustrators; and more.
Giuseppe Castellano talks to the attendees of The Illustration Department’s Illustrators’ Day in this “campfire” episode.
Recorded on September 24, 2022, the attendees explain why they chose illustration as a profession; why authors should never say “my illustrator” (with help from illustration collector and author, Roger Reed); what frustrates them most about being an illustrator; and more.
The sound is a little off, but what the attendees share—their wisdom, insight, and advice—is excellent.