We're joined by author and film connoisseur Toby Roan to talk about his book "Another Run Through The Gauntlet" and the Clint Eastwood film The Gauntlet. It's one of Eastwood's most underappreciated (yet over the top) films and Toby knows it inside and out.  Another Run Through The Gauntlet by Toby Roan on Amazon Toby's Blog 50 Westerns From The 50s Toby's Blog The Hannibal 8 Toby's The Sorcerer Blog

We interview James Riley, author of "Well Beings - How the Seventies Lost Its Mind and Taught Us to Find Ourselves." A fascinating interview with a Cambridge scholar pulling together the various threads of the Wellness industry into a truly wild Long Seventies story.  https://www.iconbooks.com/ib-title/well-beings/

We discuss Paddy Chayefsky's 1978 novel Altered States and the 1980 film adaptation. It's an epic story of scientific zealotry, psychedelic adventure, the power of love and 4 foot protohumans. 

We discuss Allan Arkush's 1983 film Get Crazy, a truly will and crazy cinematic experience and a spiritual follow up to his earlier film Rock 'n' Roll High School. 

We're honored to interview poet and Ong's Hat creator Joseph Matheny. Great stories and some original perspectives on life from a truly original and creative thinker. 

We discuss Jim Jones' The Peoples Temple, it's life and tragectory which ended in tragedy. 

Round two of of Long Seventies Award Show. We're joined again by Sean from Fringe Biology Records. 

We discuss the transition from Westerns to Cop movies during the Long Seventies, focusing primarily on actors that started their career as Cowboys and ended the LS as Cops. 

We discuss Floyd McKissick's intentional community Soul City, North Carolina, its context, goals and why the project ultimately failed. 

We discuss the theory that The Amityville Horror and Alien are conceptually the same movie and why these movies terrified audiences in the Long Seventies and beyond. 

We discuss the story of the founding of the intentional community of Rajneeshpuram in the backcountry of Oregon and the crazy events that followed. 

 We discuss two important films that helped revitalize the American Cold War and militarism.

We discuss some super synth-based soundtracks and scores from Long Seventies films

Author Sean Howe joins the show to talk about his new book "Agents of Chaos: Thomas King Forçade, High Times, and the Paranoid End of the 1970s.” 

We talk about Oliver Stone's 1987 drama Wall Street, starring Michael Douglas and Charlie Sheen, and wrap up the Decade of Dystopia series. 

We discuss the rapid and sweeping financialization, corporate raiding and deindustrialization that took place during the Long Seventies and what effect it had on society. 

Decade of Dystopia continues with two movies, The Crazies and Wizards. We discuss what these movies have in common, the dystopian visions they provide and what critique they make of the world of the Long Seventies. 

We discuss why the Long Seventies gave birth to so many dystopian creative works, specifically in the context of crises of continuity and progress. 

We discuss the 1976 dystopian sci-fi classic film Logan's Run, societal symbolic illiteracy, announce the Decade of Dystopia series and much more. 

We discuss acclaimed author JG Ballard’s 1969 experimental piece of transgressive syncromystical literature. Love, death, loss, trauma, tragedy, eroticism, car accidents as immanent mystical experiences, JFK, Ralph Nader, Elizabeth Taylor, WWII, Vietnam, art etc. 

We each choose ten pieces of audio and musical gear that we think were important to the audio/musical landscape of the Long Seventies. 

We discuss the eerily prescient 1975 dystopian film Rollerball, starring James Caan. Skates, motorcycles, fire, blood, murder, drugs, multivision tv and more!

We finish our discussion of John Egerton’s 1974 book The Americanization of the South, focusing on Politics, Industrialization, City growth and Culture. 

We discuss some of the best bareknuckle boxing movies from The Long Seventies, in particular Charles Bronson's Hard Times and Clint Eastwood's Every Which Way But Loose.