Episodes
In this episode, we achieve total consciousness with the 1980 Harold Ramis sports comedy CADDYSHACK.   We’re joined by special guest Jay Onrait (SC with Jay and Dan) and after Jay discloses the video store racket he ran back in Boyle, Alberta, we begin the case for keeping it on the pedestal with Chevy Chase’s run as America’s top leading man. We get into why the movie’s loose structure works in its favour, we go deep into the combined brilliance of Rodney Dangerfield and Ted Knight, and Jay...
Published 05/08/20
In this episode, we don’t want to be in love, we want to be in love in a movie with the 1993 Nora Ephron romantic comedy SLEEPLESS IN SEATTLE.   We’re joined by special guest Ana Golja (The Cuban, Degrassi: The Next Class) and after Pops explains why “The Cable Guy” is what first drew him to this movie, we begin the case for keeping it on the pedestal with how, despite the title, the movie is truly a cross-country epic. We get into how much we love Hanks, how the side characters all pulled...
Published 05/08/20
In this episode, we gotta do the Truffle Shuffle with the 1985 Richard Donner adventure comedy THE GOONIES.   After Shane discloses his childhood dream of actually being a Goonie himself, we begin the case for keeping it on the pedestal with debating what made Corey Feldman such a charismatic star. We talk about the beautiful setting of the town itself, why Chunk is the movie’s true breakout character and Pops ponders the differences between Richard Donner and Steven Spielberg’s directing...
Published 05/08/20
Published 05/08/20
In this episode, some of our best friends don’t know our names with the 1998 Farrelly Brothers comedy THERE’S SOMETHING ABOUT MARY.   After getting our mind’s blown by learning how much money this movie made at the box office, we begin the case for keeping it on the pedestal with the underrated comedic brilliance of Keith David as Mary’s stepdad. We discuss how effectively the film moves through so many different styles of comedy, Shane defends Diaz as his choice for the movie’s MVP, and we...
Published 01/20/20
In this episode, it’s an excellent day for an exorcism, with the 1973 supernatural horror film THE EXORCIST.   After Pops reveals the movie that scared him the most as a kid (Spoiler: Gremlins), we begin the case for keeping it on the pedestal with the movie’s most audacious and outrageous lines. We laud the patience and process it has with its story, talk about how its incredible special effects still hold up, and Shane and Pops argue over what is truly the best scene.  We move onto the case...
Published 01/13/20
In this episode, we’re no messiah, we’re a movie of the week, with the 1995 David Fincher crime thriller SE7EN.   We’re joined by special guest, Golden Globes Water Girl Kelleth Cuthbert (Bold and the Beautiful, Inside Edition) and after Kelleth compares notes with Pops on what life is like as a tall person, we begin the case for keeping it on the pedestal with Morgan Freeman’s masterful performance. We argue over when Brad Pitt was at his hottest, Kelleth does her best impression of the...
Published 01/06/20
In this episode, you killed our father so prepare to die with the 1987 Rob Reiner fantasy adventure classic THE PRINCESS BRIDE.   We’re joined by special guest Jordan Claire Robbins (The Umbrella Academy, Supernatural) and begin the case for keeping it on the pedestal with how much we loved Fred Savage and his grandfather. Pops gushes over Andre the Giant (and reveals his secret passion for professional wrestling) and Shane does a reading of Inigo Montoya’s climatic scene that brings the...
Published 12/09/19
In our 25th episode, we mess with the bull and get the horns with the 1985 John Hughes teen comedy/drama THE BREAKFAST CLUB.   We’re joined by special guest Cynthia Loyst (The Social, Author of “Find Your Pleasure: The Art of Living a More Joyful Life”) and begin the case for keeping it on the pedestal with how realistically it portrayed its teenage characters. We debate which of them each of us relate to the most, Cynthia goes into how much of the comedy still holds up, and Pops talks about...
Published 12/02/19
In this episode, we really tie the room together with the 1998 Coen Brothers crime comedy THE BIG LEBOWSKI.   We’re joined by Arkells frontman and fellow "Mike on Much" host Max Kerman, and begin the case for keeping it on the pedestal with how much Max likes all the swearing in the movie. We get into all the classic quotable lines, the legendary characters (especially Jesus), and Max gives a big thumbs to all the Jewish humour throughout. We move onto the case for knocking it off the...
Published 11/25/19
In this episode, you had us at hello with the 1996 Cameron Crowe romantic dramatic comedy JERRY MAGUIRE.   We are joined once again by Matt Unsworth (Heist Podcast) and after touching on Crowe’s hot streak up to that point (3:11) and his fascination with becoming the next Billy Wilder (14:12), we begin the case for keeping it on the pedestal with how young Jonathan Lipnicki may have stolen the show (19:01). We talk about Cuba Gooding Jr’s Oscar winning performance (25:36), we debate whether...
Published 11/18/19
In this episode, we are the smartest men alive with the 1995 Adam Sandler comedy BILLY MADISON.   After discussing the hits and misses of the Sandman’s early career (7:01), we begin the case for keeping it on the pedestal with a celebration of this movie’s bizarre absurdist style (15:46). We discuss why Eric is one of the all-time great comedy villains (23:11), how Sandler is actually a secret perfectionist (31:21), and Shane explains why the “Sloppy Joes” scene transformed him (41:57). We...
Published 11/11/19
In this episode, we know kung fu with the 1999 cyberpunk sci fi classic THE MATRIX.   After we all reminisce about our high school band experiences (10:23), we begin the case for keeping it on the pedestal with how the movie kicks off with such a big bang (14:55). We debate about the fine balance between the movie’s slick action and grand philosophies (24:10), Shane wonders if Cypher was an incel (36:58), and Mike asks us all if we recognize AI as a real life form (44:30). We move on to the...
Published 11/04/19
In the final episode of season two, we jump if you jump with the 1997 James Cameron romantic epic TITANIC.   We’re joined by special guest Chloe Wilde (eTalk, Healthy is Hot Podcast) who first recounts why seeing this movie with her mom traumatized her as a kid (6:10). We then begin the case for keeping it on the pedestal with some love for Kathy Bates and Victor Garber (14:54) and James Horner’s celebrated score (17:46). We talk about how the special effects were ahead of their time (25:31),...
Published 07/08/19
In this episode, we make all of your wildest dreams come true with the 2004 indie cult comedy NAPOLEON DYNAMITE   After Pops defends seeing it NINE times in movie theatres (4:52), we begin the case for keeping it on the pedestal with a discussion about comedy auteurs and if Jared Hess is truly one of them (16:15). We talk about why Kip rules (22:37), Pops posits that there’s a lot more plot going on than meets the eye (30:40), and Shane votes for Pedro as his favorite character (35:08). We...
Published 07/08/19
In this episode, we cross you to the left and take you back to the right with the 1998 Spike Lee joint HE GOT GAME.   After both Shane and Mike disclose the legitimate cameos they have in two other massive basketball movies (8:04), we begin the case for keeping it on the pedestal with Shane’s big reveal of what he now thinks of Ray Allen’s performance (11:54). We get into Spike Lee’s unique style as a director (25:13), why the story may be more sci-fi than sports (31:04), and discuss the...
Published 07/08/19
In our final Personal Pedestal episode of season 2, we’re living in a fairy tale with the 2003 Tim Burton fantasy comedy BIG FISH.   Mike explains why this movie is on his own personal pedestal, and what it was like to try and hold back his tears watching it alone in a movie theatre (6:10). After a deep dive into our thoughts on Tim Burton’s career (11:45), we begin the case for putting it on the pedestal with the movie’s theory that stories are meant to be more about feelings than facts...
Published 07/08/19
In our second Personal Pedestal episode, we’re your number one fan with the 1990 adaptation of the Stephen King horror novel MISERY.   Pops explains why this movie is on his own personal pedestal, and how he’s been a devout Stephen King superfan since childhood (2:56). We then begin the case for putting it on the pedestal with the tour de force performance of Kathy Bates (8:37). We talk about the iconic sledgehammer scene (15:33), the prescience this film had on the rise of toxic fandom...
Published 07/08/19
In our first ever Personal Pedestal episode, we’re emotional vampires with the 2002 Roger Avary black comedy THE RULES OF ATTRACTION.   Shane explains why this movie is on his own personal pedestal, and why it made him think Roger Avary was a superior director to Quentin Tarantino (8:36). We then begin the case for putting it on the pedestal with the kinds of risks Avary took that we had never seen before (13:42). We gush over the famous “movie within a movie” euro trip scene (15:53), debate...
Published 07/08/19
In this episode, we need your clothes, your boots and your motorcycle with the 1991 Arnold Schwarzenegger action blockbuster TERMINATOR 2: JUDGEMENT DAY.   After Pops divulges all the different ways this movie traumatized him in his youth (7:13), we begin the case for keeping it on the pedestal with discussing what makes James Cameron such a prolific director (12:01). We debate how “sexy” Arnold is in this movie (17:30), how the special effects are still mind blowing (32:12), and whether or...
Published 07/08/19
In this episode, we’re hungry for your touch with the 1990 Patrick Swayze romantic thriller GHOST.   We’re joined by our very first guest, Hollywood screenwriter Matt Unsworth (Happy Together, Heist Podcast) as we first recollect how scary the demons were for us as kids (7:22). We then begin the case for keeping it on the pedestal with all things Whoopi (12:14). We all debate whether it’s worth going crazy for Swayze (18:09), Mike praises the logic of the supernatural plot (28:23), and...
Published 07/08/19
In this episode, we just got our beavers stuffed with the 1988 Leslie Neilson screwball comedy THE NAKED GUN: FROM THE FILES OF POLICE SQUAD! After reminiscing over the days of VHS vs Beta (4:08), we begin the case for keeping it on the pedestal with Pops lauding its use of constant little jokes over the big ones (7:12). We dive into the continuing comedic brilliance of Leslie Neilson (19:19), delve into our favorite scenes from Weird Al to the baseball game finale (24:30), and Mike admires...
Published 07/08/19
In the first episode of season two, we strike hard and fade away with the 1990 radical action classic TEENAGE MUTANT NINJA TURTLES.   After sharing the different impacts karate class had on our childhoods (5:24) and who our favorite Ninja Turtle was (8:50), we begin the case for keeping it on the pedestal with how well the look of the turtles themselves have held up over the years (13:10). We debate Casey Jones’ claustrophobic joke (23:44), we gush over the movie’s use of flashbacks (33:13),...
Published 07/08/19
In the final episode of season one, we get you the head, the tail, the whole damn thing with the 1975 Spielberg thriller JAWS.   After Mike divulges his childhood obsession with sharks (7:26), we begin the case for keeping it on the pedestal with how well the carnage and violence still hold up (9:49). We get into the Indianapolis monologue (15:50), the legendary John Williams score (20:14) and delve into why Richard Dreyfus’ performance was so good (27:56). We move on to the case for knocking...
Published 10/17/18
In this episode, we picked the wrong week to quit drinking with the 1980 Zucker Brothers comedy AIRPLANE!   After Shane reveals Airplane’s connection to the movie Ghost (6:42), we begin the case for keeping it on the pedestal with how well it exploited dramatic dignified actors for extremely ridiculous roles (10:46). We talk about how many modern jokes have been harvested from this film (15:25), the underrated genius of Robert Stack (20:01), and the emergence of Leslie Neilson as a comedy...
Published 10/17/18