What do you think of when you think of summer? And how do poems capture that? This week, Katie, Tim, and friends find their summer vibe along with special guests Nate Jacob and Sharon Ferrante, sharing a cooler of poems along the way. At the picnic table: Katie Dozier Timothy Green Nate Jacob Sharon Ferrante Joe Barca Brian O'Sullivan Dick Westheimer

Writing poems is only half the battle—performing poems is still an important aspect of sharing the work (and selling books!). Katie, Tim, and friends are joined by slam legend Taylor Mali to discuss the art of presenting poems, reading a few of his own and sharing some hilarious stories along the way. At the table Katie Dozier Timothy Green Taylor Mali Brian O'Sullivan Dick Westheimer Joe Barca

There's a certain type of poem Tim calls the "Classic Rattle Poem." Even as the magazine has become more eclectic over the years, it's always stayed in touch with its accessible narrative roots. Katie, Tim, and friends discuss this style of "front porch poetry," with the authors of three great examples. At the table: Katie Dozier Timothy Green Tony Gloeggler Cindy Guentherman Joe Barca Dick Westheimer Brian O'Sullivan

They say imitation is the highest form of flattery—but it's also a learning tool and a lot of fun. Katie, Tim, and friends discuss the art of adopting another poets voice, joined by award-winning formalist and ventriloquist A.M. Juster, author of The Billy Collins Experience. Along the way, we share some other great poems mimicking Wallace Stevens, Kay Ryan, Bob Dylan, and more. At the table: Katie Dozier Timothy Green A.M. Juster Dick Westheimer Joe Barca

It's always better when we're together! This week's collaborative space discusses the art of collaboration. Katie, Tim & friends are joined by Nicole Tallman, who began collaborating on poetry with the late great Maureen Seaton, and has made collaborative poetry a focus of her work as poetry ambassador of Miami, sharing co-written poems in the process. At the Table: Katie Dozier Timothy Green Nicole Tallman Brian O'Sullivan Joe Barca Dick Westheimer

Billy Collins has long been called the most popular poet in America, which makes him a divisive figure among poets. Is it just envy? Katie, Tim, and friends take a deep dive into his trademark wit and renowned accessibility to see what makes his poems tick—joined by special guests Gwendolyn Soper and Attracta Fahy. Around the table: Katie Dozier Timothy Green Gwendolyn Soper Attracta Fahy Dick Westheimer Brian O'Sullivan Joe Barca

Ekfa-what?! From the Greek word for "description," ekphrastic poetry was originally just that—poems that painted artwork into words. Over time, though, it's become it's own genre of using art as inspiration. Katie, Tim and friends discuss, joined by special guest and six-time winner of Rattle's Ekphrastic Challenge, Elizabeth McMunn-Tetangco. Around the table: Katie Dozier Timothy Green Elizabeth McMunn-Tetangco Dick Westheimer Joe Barca Brian O'Sullivan

Under the influence of Lemmys™, Katie and Tim go on a date, exploring the meaning of verse and what led them both to making space for poetry in their lives.

Wendy Videlock joins the space as Katie, Tim, and friends discuss the dance in the mouth that are the sounds of poetry. Wendy shares several poems and talks about rhyme and repetition in the process of creation. At the table: Katie Dozier Timothy Green Wendy Videlock Joe Barca Brian O'Sullivan Dick Westheimer

Bob Hicok joins the space as Katie, Tim, and friends discuss that trance-like hypnotic state of being in the zone while writing a poem. This is the meditative space we all seek as writers—what is it, and how do we get there? At the table: Katie Dozier Timothy Green Bob Hicok Erik Campbell Brian O'Sullivan Dick Westheimer Joe Barca

Dating back to the 12th century, the sestina is one of poetry's knottiest forms, repeating 6 words 7 times in 39 lines. Katie, Tim, and friends wrestle with repetition as they discuss the form with successful sestina wranglers Kathleen McClung and Rebecca Snow, sharing some great poems along the way.

Abby E. Murray won 2024 Neil Postman Award for Metaphor for her poem "Supermoon." But who was Neil Postman, and where did this award come from? Katie, Tim, and friends are joined by Abby Murray and Erik Campbell, who conceived of the award way back in 2004. At the table: Katie Dozier Timothy Green Erik Campbell Abby E. Murray Dick Westheimer Brian O'Sullivan Joe Barca

A poem is never finished, only abandoned, according to Paul Valéry—but how do we go about re-visioning a poem to make the most out of its potential? Katie, Tim, and friends discuss, along with special guests Christine Potter and Nicole Caruso Garcia. Today's table: Katie Dozier Timothy Green Christine Potter Dick Westheimer Nicole Caruso Garcia Brian O'Sullivan Joe Barca

A few episodes back, we looked at submissions from the editor's perspective—this week, we take a look at the other side of the aisle. Katie and Tim are joined by special guests Jeannine Hall Gailey, Bethany Jarmul, Joe Barca, Brian O'Sullivan, and Tom Barlow to talk about how to go about submitting poems for publication.

How do we classify different types of poems? What makes a form fit into a definition and does it matter? In response to some recent, minor controversies in the poetry world, Katie, Tim and friends discuss what makes a haiku a haiku and what makes a sonnet a sonnet—as always, sharing great examples along the way.

Just in time for Valentine's Day, Katie, Tim, and crew talk about love poems! What's the heart of a love poem and what makes it tick? The Poetry Space_ discussed this topic a year ago, but this time we dig a little deeper.

Hard or soft, accidental or intentional, plagiarism is always lurking in the shadows of the literary world. The recent exposure of a prolific plagiarist makes the topic timely. Katie, Tim, and friends discuss all with two of the victims, and then go deeper into anxiety of influence and deja-ku—sharing some poems along the way, as always.

Walt Whitman is the father of contemporary poetry, opening the door for a poetry of the self, the body, the ordinary. He had big ambitions and, for the most part, fulfilled them. Katie, Tim and friends discuss Uncle Walt. Do the poems live up to the legacy?

Let's talk about turns—shifts in the apparent direction of a poem. Sonnets formalize turns with the concept of the volta, but most of the best poems have turns of some kind … do they all? What is a turn, and how are they made? Katie, Tim, and friends discuss, and turn toward some great examples along the way!

Submissions are the heart of the traditional poetry world. What's it like to read them? What's the best way to submit them? Why do we call them submissions in the first place? Katie and Tim are joined by Mark Danowski of One Art, Roberta Beary of Modern Haiku, and other friends to talk about it all.

What the heck is a chapbook? How do you make them? Why would you? And what makes a Rattle Chapbook Prize winner? Katie, Tim and friends answer all your question, along with a special guest appearance by Michael Mark, who shared poems from his award-winning chapbook, Visiting Her in Queens Is More Enlightening than a Month in a Monastery in Tibet.

Weddings, funerals, inaugurations—public events are the places most people encounter poems. This week, Katie, Tim, and friends take a look occasional poems, reading some by Ada Limon, W.H. Auden, and more along the way. How do they work, and how are they different from what we usually write and share?

After last week's discussion about the need for more poetry criticism, we tried to practice what we preach, taking a careful look at contemporary poems. What is it that makes a good poem great? Katie, Tim and friends discuss, and read four poems in the process: Dick Westheimer's "In Kherson …," Maggie Smith's "Good Bones," Dorianne Laux's "Moon Ghazal," and Noor Hindi's "F- Your Lecture on Craft …."