Whether you're a pro or a beginner, there are certain traps as screenwriters that will almost ALWAYS kill our writing. On today's show, we cover the first five...(stay tuned for the rest!) JOIN OUR PATREON: www.patreon.com/thescreenwritinglife

Linda Seger basically created the job of independent script consultant. After years of exploring, she discovered that her gifts lie in making a good script great, which is the name of her first book: "Making A Good Script Great." Since then, Linda has become one of Hollywood's most sought after and celebrated consultants, because her ability to distill down what is needed on the page. For Linda's Books: https://lindaseger.com/screenwriting-books/ Join our Patreon:...

Navid Mcllhargey has been a studio executive and producer for over 20 years, and over the course of his impressive career, he has seen the business change dramatically. Today, we get an inside look into the life of a studio-exec-turned-producer, and more importantly, what it looks like for a producer to puzzle together a movie in today's dramatically different Hollywood. JOIN OUR PATREON: www.patreon.com/thescreenwritinglife

Carole Kirschner, the director of the CBS Diversity Writers Program & WGA Showrunner Training Program, is passionate about helping creative professionals build thriving Hollywood careers. Whether you're an emerging writer of a pro, Carole will offer you PRACTICAL advice as to how to approach this ever-changing business. FOR CAROLE'S BOOK: https://www.carolekirschner.com/book FOR CAROLE'S BOOTCAMP: http://ckbootcamp.com/ TO JOIN OUR PATREON: www.patreon.com/thescreenwritinglife

Octavio Solis is among the most celebrated playwrights discussing the Latin American experience, but he wasn't always a writer. Octavio began his artistic journey as an actor-turned-writing-teacher. But when his students started succeeding, he felt an emerging feeling; a need to take his own advice and get to the page. Since then, Solis has written dozens of celebrated plays, in addition to culturally consulting on Pixar's COCO, which we discuss today. JOIN OUR PATREON:...

Even though Debby Wolfe began her career writing "edgy, brooding feminist shorts" (her words), but really found her lane as a writer when she wrote a Modern Family spec that launched her career. Since then, she's written on a number of multi-cams, eventually arriving on Lopez vs. Lopez, which she's currently showrunning. Today, Debby discusses how she manages to produce at the pace Network TV requires, how she staffs, and the importance of character-driven comedy. Watch Season 2 of Lopez vs...

Jeff Melvoin is - for lack of a better word - a legend in TV. He's an award-winning television writer, producer, showrunner, and educator who has written dozens and produced hundreds of one-hour episodes on over a dozen television series. He's also the founder and chair of the Writers Guild of America's Showrunner Training Program, now entering its 19th year. Jeff's incredible book RUNNING THE SHOW, the focus of our convo today, is part memoir, part playbook, and part cheat sheet all about TV...

Cole Haddon is many things: a feature writer, a showrunner, a novelist, but he's grown an incredibly loyal community for his STORY brain, which mostly congregates on his very popular substack. Today we discuss tone, genre, and plot through a case study in which we compare two very popular TV shows: The Bear and Ted Lasso. In this discussion, we'll trace how, despite them sharing a lot narratively (plot), they exist in totally unique WORLDS when it comes to tone and genre (and why this...

Today is a chance to hear from YOU! We were thrilled to invite longtime listener Jennifer Deaton onto our show to hear about her impressive career in the biz including her life as a reader for Focus Features and screenwriting debut, the award-winning indie feature Jack of the Red Hearts. JOIN OUR PATREON: www.patreon.com/thescreenwritinglife

This year, one of the most talked about Animated Shorts at this year's Oscars is WAR IS OVER. The project, inspired by the Music of John and Yoko, is an 11-minute animated short featuring the 50-year-old classic song Happy Xmas (War Is Over), set against the backdrop of war. Today, we welcome three of the shorts' brilliant creators: Pixar alum and Oscar®-nominee Dave Mullins, Golden Globe®-Nominee Brad Booker, and co-writer Sean Ono Lennon who executives produces alongside Yoko Ono. This is...

This year, one of the most talked about Animated Shorts at this year's Oscars is WAR IS OVER. The project, inspired by the Music of John and Yoko, is an 11-minute animated short featuring the 50-year-old classic song Happy Xmas (War Is Over), set against the backdrop of WWI. Today, we welcome three of the shorts' brilliant creators: Pixar alum and Oscar®-nominee Dave Mullins, Golden Globe®-Nominee Brad Booker, and co-writer Sean Ono Lennon who executives produces alongside his mom, Yoko...

Nimona isn't just one of 2023's best animated movies, it's one of 2023's best movies, full stop (and yes, it is Oscar-nominated). Today, we welcome one it's co-writers, Lloyd Taylor, to talk about adapting ND Stevenson beloved graphic novel, working through a roller coaster development window, and not being afraid to blow up his own work in service of finding the best version of a movie possible. JOIN OUR PATREON: www.patreon.com/thescreenwritinglife

Elizabeth Hargrave's debut board game Wingspan has become a one this century's most definitional games, but her inspiration to create was pretty simple. She says, "I felt like there were too many games about castles and space, and not enough games about things I’m interested in. So I decided to make a game about something I cared about." This is just one of the MANY points that will apply to your life as a writer. JOIN OUR PATREON: www.patreon.com/thescreenwritinglife

STORY ENGINE. Two words we so often dread, but let's be honest: the engine of your story is what POWERS your movie. It's make, or break. And today, we break down eight elements to test whether or not you are on your way to a feature film story engine that will take you from fade in, to fade out! JOIN OUR PATREON: www.patreon.com/thescreenwritinglife.

Despite this being his first produced feature, David Hemingson's script for THE HOLDOVERS is one of the most celebrated of the year, nominated for over 40 industry prizes (including the Oscar), having won many of them. He's a self-proclaimed "journeyman" writer having bounced between children's animated, network comedy, and hourlong procedurals for over two decades. Even given his decades of experience, his approach to working with Alexander Payne was still one of humility, openness, and...

Hearing Celine Song discuss her authority as an artist is powerful stuff. Despite no feature film directorial experience, she knew she had the secret key to lead the production of Past Lives, which is now a 2024 Oscar nom: a fierce commitment to her script, the story, and characters. For Celine, all of the power and authority that we bring to our work comes from the simple fact that we are the authors and engineer of that sacred document that drives the whole thing: the script. JOIN OUR...

We talk about lava, character wounds, and emotional storytelling ALL THE TIME on the show, but it's important to remember: there's more to good storytelling than an emotionally juicy character. Today, Oscar-winner (and friend-of-the-show) Michael Arndt discusses this, along with trends he is noticing in the evolving world of 21st century cinema. GREAT RESOURCES FROM MICHAEL: http://www.pandemoniuminc.com/ https://www.youtube.com/@michaelarndt8848 JOIN OUR PATREON:...

Cord Jefferson knows what if feels like to watch a project die. Recently, he had a greenlit show that was so close to shooting that the production office for the show had an physical address. And then, it died. In a creative funk, Cord discovered Percival Everett's novel Erasure which immediately reignited a passion in Cord, and eventually became his debut feature film AMERICAN FICITION. Today, Cord discusses the process of adapting the novel. JOIN OUR PATREON:...

ORIGINALLY BROADCAST ON JUL 26, 2023 Despite being a multiple Academy Award winner, celebrated producer, and feature/TV director, Jodie Foster is still aiming for a singular goal: to tell truthful stories. On today's show, we discuss how Jodie processes her work, how she collaborates with others, and what Robert De Niro taught her on the set of Taxi Driver. Join Our Patreon: www.patreon.com/thescreenwritinglife

Do you ever feel stuck in your work? Like there's an invisible wall blocking you from generating your best material? You're not alone, and today, we're thrilled to be joined by 5-time NYT bestselling author Adam Grant to talk about just this. Adam's new book HIDDEN POTENTIAL illuminates how we can elevate ourselves and others to unexpected heights, which couldn't be more relevant to you as a writer. JOIN OUR PATREON: www.patreon.com/thescreenwritinglife

Don't worry, we hate talking about it too. And yet, Paco de Leon has a way of discussing money that feels safe, generous, and even hopeful. She specializes in helping creatives and freelancers manage their money by talking about what they believe about their income and even...gulp...themselves. You'll feel better about both your finances, and yourself after we finish this conversation! FOR MORE ON PACO: www.thehellyeahgroup.com TO JOIN OUR PATREON: www.patreon.com/thescreenwritinglife

As we navigate the holidays, it's easy to look back (and forward) on our career and feel a complicated mix of emotions. But at the end of the day, we HAVE to give ourselves permission to dream if we want to maintain stability in this business. Today, we discuss just that! JOIN OUR PATREON: www.patreon.com/thescreenwritinglife

It's that time of year when hundreds of Holiday Movies air on screens all over the world. Whether its Hallmark, Lifetime, Disney+, Netflix, or Apple, or even Theaters, it's one of the hottest markets around for emerging and professional writers, and for Holiday screenwriting Queen Eirene Tran Donohue, one of the best ways to break in. Listen to her break down why!

Having begun his career as an actor, and then transitioned to an Oscar-winning writer/director, Tom has worn MANY hats in this business. Because of that, he has a particularly unique point of view when it comes to writing. Today, Tom discusses how he embraces his multiple creative identities when approaching the blank page, especially he considers drafts that are going to producers, the studio, or actors. JOIN OUR PATREON: www.patreon.com/thescreenwritinglife