Jacob and Scott talk about musical personality, if you can make music with someone that you don’t like, and how to deal with the comparison game on social media.

In Part 2 Jacob and Dave talk about his love and respect for musicians, what he learned from Ed Cash, how sidemen and women can support an artist, and why the 70’s were the best musical decade.

In Part 1 Jacob and Dave talk about the music that he heard growing up, his band Fishers Of Men, how he transitioned from drummer to artist, and how he found his voice.

Jacob and Joel talk about his dad’s traveling music ministry, how he learned guitar, learning life lessons on tour, and how awesome it was when Opie stood up to the bully.

Jacob and Matt talk about his musical parents, how he ended up playing cello, his love for 90’s rock, and how to best serve an artist.

Jacob and Kelly talk about his early years learning music at church, life lessons from the road, making the transition into being a full time studio musician, and how to help an artist feel comfortable.

Jacob asks Tony Lucido who would win if we had a Nashville Musician's Fight Tournament. Enjoy.

Jacob and Tyrone talk about growing up in a musical family, how his dad taught him guitar, when Spanky Alford took him under his wing, and how to “know your role” as a sideman.

Jacob and Alison talk about her early love for Paul McCartney, how she moved to Nashville, and why she took a break to become a lawyer.

Jacob and John talk about growing up with a big brother that is also a drummer, his move to Nashville, how to best serve an artist, and who would win in a fight between him and his brother.

In part 2 Jacob and Tony get into how to best serve an artist, is it possible to play with someone that you don’t like, and if people play like their personality.

This is part one of Jacob’s interview with Tony. They get into his early childhood, his dreams of playing in the NBA, and how a try out turned into an amazing gig.

In this episode we chat about how to best support an artist, playing the comparison game, reading the room, some things he has learned from other producers, and bad session behavior.

In part one we get into how music affected him as a kid, his beginnings on a dude ranch, polka, his first night on the opry stage, how he fell into film and tv work and so much more.

Jacob and Pat talk about Pat’s early days on the piano, how he got a scholarship playing tuba, his first orchestra date in L.A., and how he balanced touring and being a professor.

Jacob and James talk about his early days as a missionary’s kid, playing in the middle school worship band, why improvising is so important, and how he got his mouth washed out with soap after watching The A-Team.

Jacob and Matt talk about his early days on the piano, situational awareness musically and interpersonally, people that play like their personality, and the great piece of advice that Tony Lucido gave to him.

In part 2 Jacob and Jeff talk about how to best serve an artist and producer on a recording session, how to properly read a room, and why he won’t put powdered creamer in his coffee.

In part 1 Jacob and Jeff talk about his early days in East Tennessee, playing his plywood guitar, a few of his pranks, how he got his start in the Nashville touring and session scene, and the time he rode around on Rick Hall’s tractor.

Jacob and Willie talk about his early days on the piano, his first time playing keys on the stage at Lakewood, how to best serve an artist, and how he learned to flow by playing along with tv commercials.

Jacob and Anton talk about his early days with the bass guitar, how he has always chased inspiration, how listening is more than a musical thing, and his love for the tv show Hee-Haw. 

Bernie tells us about his early love for The Beatles, how he played on the Entertainment Tonight theme song, his move to Nashville, and how Don Was had him play sitar on a track.

In part 2 Jacob and Steve talk about how to properly listen to an artist, some ways that producers have inspired him, how to keep getting hired, and why boots are superior to flip flops.

In part one Jacob and Steve talk about his beginnings on the drum kit, the albums and artists that inspired him, how his work ethic opened many doors for him, and his start in the Nashville session scene.