Hey TriPod listeners! WWNO and WRKF want to introduce you to a new podcast of ours. It's called Life Raft. It's a show that explores questions about climate change, submitted by listeners like you. This episdode is all about street flooding.

If you’re like us, climate change leaves you with a lot of questions, and they’re not about the rate of ocean warming — they’re about practical things that affect our everyday lives. So, for us and for you, we created a podcast about it.

This is the final episode of Tripod. For these past three years, we’ve been telling stories about New Orleans. But, before it was ever called New Orleans, this place already had a name: Bulbancha . The people that host Laine Kaplan-Levenson spoke with for this episode use this name when they tell people where they live. They live in Bulbancha, and they are telling today’s story -- what it’s like living in present day Bulbancha, and what it’s been like, as a native person, seeing the city

Kiese Laymon is a Mississippi based writer, who’s just released a new book titled "Heavy: An American Memoir." In it, he writes about his struggles with eating disorders and addiction, abuse, and his relationship with his mother. TriPod’s Laine Kaplan-Levenson sat down with Laymon to talk about what his students at the University of Mississippi think about New Orleans, his memoir, and how his literary success fits into a growing trend of black writers from the south receiving national attention.

Kiese Laymon is a Mississippi based writer, who’s just released a new book titled "Heavy: An American Memoir." In it, he writes about his struggles with eating disorders and addiction, abuse, and his relationship with his mother. TriPod’s Laine Kaplan-Levenson sat down with Laymon to talk about what his students at the University of Mississippi think about New Orleans, his memoir, and how his literary success fits into a growing trend of black writers from the south receiving national attention.

TriPod: New Orleans at 300 shares the first episode of WWNO's new series, Sticky Wicket

TriPod: New Orleans at 300 shares the first episode of WWNO's new series, Sticky Wicket

Tripod: New Orleans at 300 returns with a look at the Desire community, then and now. If you've from New Orleans, or you’ve lived here for a minute, you know how often locals identify themselves by their neighborhood. Before Katrina, for thousands of New Orleans residents, these neighborhoods were public housing developments: the Magnolia, B.W. Cooper, C.J. Peete, the Calliope. All those developments are now gone, they’ve all been demolished, and so they’re not part of what’s been this ongoing

Tripod: New Orleans at 300 returns with a look at the Desire community, then and now. If you've from New Orleans, or you’ve lived here for a minute, you know how often locals identify themselves by their neighborhood. Before Katrina, for thousands of New Orleans residents, these neighborhoods were public housing developments: the Magnolia, B.W. Cooper, C.J. Peete, the Calliope. All those developments are now gone, they’ve all been demolished, and so they’re not part of what’s been this ongoing

TriPod: New Orleans at 300 returns with a new TriPod Xtra segment. As part of the New Orleans Museum of Art’s literary ‘Arts and Letters’ series, Laine Kaplan-Levenson spoke with sociologist Peter Marina in front of a live audience about his book ‘Down and Out in New Orleans.’ The two discussed the various informal economies in New Orleans, and alternative lifestyles people choose as a way to live outside of mainstream society. Laine starts the conversation with what Marina’s book is inspired by

TriPod: New Orleans at 300 returns with a new TriPod Xtra segment. As part of the New Orleans Museum of Art’s literary ‘Arts and Letters’ series, Laine Kaplan-Levenson spoke with sociologist Peter Marina in front of a live audience about his book ‘Down and Out in New Orleans.’ The two discussed the various informal economies in New Orleans, and alternative lifestyles people choose as a way to live outside of mainstream society. Laine starts the conversation with what Marina’s book is inspired by

TriPod: New Orleans at 300 returns with a new TriPod Xtra segment. As part of the New Orleans Museum of Art’s literary ‘Arts and Letters’ series, Laine Kaplan-Levenson spoke with sociologist Peter Marina in front of a live audience about his book ‘Down and Out in New Orleans.’ The two discussed the various informal economies in New Orleans, and alternative lifestyles people choose as a way to live outside of mainstream society. Laine starts the conversation with what Marina’s book is inspired by

TriPod: New Orleans at 300 returns with a new TriPod Xtra segment. As part of the New Orleans Museum of Art’s literary ‘Arts and Letters’ series, Laine Kaplan-Levenson spoke with sociologist Peter Marina in front of a live audience about his book ‘Down and Out in New Orleans.’ The two discussed the various informal economies in New Orleans, and alternative lifestyles people choose as a way to live outside of mainstream society. Laine starts the conversation with what Marina’s book is inspired by

TriPod: New Orleans at 300 returns to hunt down a rare artifact full of private, and personal information. Laine Kaplan-Levenson goes on the search. When you first walk into a hospital, before you can see a doctor, you walk up to a counter in a room that sounds like this The person at the desk asks you a bunch of questions, like who's paying your bill, where you come from, your date of birth. Touro Infirmary has been collecting this same information for over 150 years.

TriPod: New Orleans at 300 returns to hunt down a rare artifact full of private, and personal information. Laine Kaplan-Levenson goes on the search. When you first walk into a hospital, before you can see a doctor, you walk up to a counter in a room that sounds like this The person at the desk asks you a bunch of questions, like who's paying your bill, where you come from, your date of birth. Touro Infirmary has been collecting this same information for over 150 years.

I crashed an opera rehearsal the other day. A large group of vocalists, young, old, black, white, Hispanic, Asian, all the genders, belted out in long rows surrounding a piano. They were preparing for the 75th anniversary celebration of the New Orleans Opera Association. I was there to talk to a mother-daughter opera combo: Givonna Joseph and Aria Mason. “When she was little people would always say ‘Are you going to sing like your mom?’” Givonna told me. “It would drive her crazy. ‘Im so tired,

I crashed an opera rehearsal the other day. A large group of vocalists, young, old, black, white, Hispanic, Asian, all the genders, belted out in long rows surrounding a piano. They were preparing for the 75th anniversary celebration of the New Orleans Opera Association. I was there to talk to a mother-daughter opera combo: Givonna Joseph and Aria Mason. “When she was little people would always say ‘Are you going to sing like your mom?’” Givonna told me. “It would drive her crazy. ‘Im so tired,

You’ve probably heard of the James Beard Awarding-winning Duong Phuong Bakery out in New Orleans East, whether or not you actually got to taste their coveted King Cake. But today, high school students from Metairie Park Country Day take over TriPod to go beyond Duong Phong, and explore the larger Vietnamese community in the East. Not long after we celebrated New Years Eve 2018, an entire community in New Orleans East celebrated their new years eve. It’s called Tet. Tet is the Vietnamese New Year

You’ve probably heard of the James Beard Awarding-winning Duong Phuong Bakery out in New Orleans East, whether or not you actually got to taste their coveted King Cake. But today, high school students from Metairie Park Country Day take over TriPod to go beyond Duong Phong, and explore the larger Vietnamese community in the East. Not long after we celebrated New Years Eve 2018, an entire community in New Orleans East celebrated their new years eve. It’s called Tet. Tet is the Vietnamese New Year

TriPod: New Orleans at 300 returns with a new tripod xtra. Laine Kaplan-Levenson sat down with John Barbry of the Tunica Biloxi nation, to discuss the history of the tribe and its contributions to New Orleans and Louisiana. The Tunica Biloxi land is in Marksville, Louisiana, about three hours outside New Orleans. The conversation begins when the Tunica Biloxi made contact Spanish explorer Hernando de Soto. John D. Barbry is the director of development & programming, Language & Culture

TriPod: New Orleans at 300 returns with a new tripod xtra. Laine Kaplan-Levenson sat down with John Barbry of the Tunica Biloxi nation, to discuss the history of the tribe and its contributions to New Orleans and Louisiana. The Tunica Biloxi land is in Marksville, Louisiana, about three hours outside New Orleans. The conversation begins when the Tunica Biloxi made contact Spanish explorer Hernando de Soto. John D. Barbry is the director of development & programming, Language & Culture

TriPod: New Orleans at 300 returns with a new episode about a Mexican band that rocked the city in the 80s -- the 1880s. Long, long ago, a band in New Orleans swept the city off its feet, but it wasn’t a New Orleans Band. It was Mexican. There's this sort of mythical thing...it's like this band comes to New Orleans from Mexico and they've got military brass instruments and it gets pinpointed as the beginning of something, which is really interesting. Interesting because nearly a hundred and 50

TriPod: New Orleans at 300 returns with a new episode about a Mexican band that rocked the city in the 80s -- the 1880s. Long, long ago, a band in New Orleans swept the city off its feet, but it wasn’t a New Orleans Band. It was Mexican. There's this sort of mythical thing...it's like this band comes to New Orleans from Mexico and they've got military brass instruments and it gets pinpointed as the beginning of something, which is really interesting. Interesting because nearly a hundred and 50

TriPod: New Orleans at 300 returns with a tripod Xtra produced by Laine Kaplan-Levenson. In this tripod xtra, we hear an abridged talk given by Dr. Erin Greenwald, curator of the Historic New Orleans Collection's 'The Founding Era' exhibit. Greenwald traces New Orleans' African roots -- from their kidnapping in Africa, through the middle passage, to the seminal role Africans played in the founding of our city. Dr. Erin M. Greenwald is the Curator of Programs at the New Orleans Museum of Art. Her