The all-seeing telescope of truth scanned this week’s rock and roll heavens and noticed a few patterns emerge, among them …   … the real story of the writing of Layla and who nicked what from where. And who didn’t get paid.   … why Sally Grossman was on the cover of Bringing It All Back Home.     … album sleeves with overflowing ashtrays that screamed ‘welcome to my bohemian world!’ – Soft Machine’s Third, Man’s Rhinos, Winos + Lunatics, Back Street Crawler …     … album sleeves that said “meet my girlfriend!” – McDonald And Giles, the Madcap Laughs, The Freewheelin’ Bob Dylan, Love Chronicles, the Paul Simon Handbook …     … album sleeves suggesting the powerful aphrodisiac of music and the allure of ‘the bachelor pad’ …   .. our night out at a Leo Sidran show and what we’ll expect – indeed insist upon - at all gigs in the future.   … when rock stars read 12th Century Persian poetry.   …the time Lucinda Williams toured with Dylan and Van Morrison and never met either of them.   … the glorious squalor of ‘70s flats.   … “comedy is tragedy at a different speed”.   … mentioned in despatches: Sharleen Spiteri, John Mellencamp, James Burton, Bobby Whitlock, Daniel Kramer.     The Everly Brothers’ Walking The Dog. Is that the original Layla riff at 2.20? … https://www.youtube.com/watch?v=072OpLw-l_s Subscribe to Word In Your Ear on Patreon for early - and ad-free - access to all of our content: https://www.patreon.com/wordinyourear Get bonus content on Patreon Hosted on Acast. See acast.com/privacy for more information.