Yes, at long last, the long-anticipated return of the only good classic cartoon podcast! We break down last fall's surprise disc from Warner Archive of the remaining releasable MGM Tex Avery cartoons. It's a cross-selection of some of the finest, wildest animated shorts ever made - and find out what Bob's personal favorite Tex short is to boot!

It's the conclusion of our Bugs Bunny 80th Birthday Blu-Ray review! Our favorite cartoon hero runs on autopilot with Friz Freleng, Bob McKimson, and (occasionally on this set) Chuck Jones trying to keep interest in Bugs alive. We do see some bright moments with a few masterful Yosemite Sam encounters, countered with more TV parodies and cheaters than one can humanly stomach. Also: possibly the shortest dissection of What's Opera, Doc? ever recorded on human record.

November's Blu-ray release of Bugs Bunny cartoons is so jam-packed with Technicolor animated perfection we have to do two episodes about it! In part one, we discuss what made the character take off immediately, and all the highlights of the set's first disc of 1940s cartoons, in which very different filmmakers managed to have individual takes on Bugs, yet maintain a singular vision that made him Warner Animation's eternal foundation.

We discuss the newest Tex Avery collection from Warner Archive! Despite some substandard presentation, the laughs come faster and furious in this volume, thanks in no small part to animator Mike Lah and MVP Spike. Immortal works like Little Rural Riding Hood and Magical Maestro headline this volume, with Droopy in peak (and non-peak) form. Witness in real time as Tex literally snaps and falls back on softer, designy humor. You'd have to be a real screwball not to love this disc - or listen!

Our first (of few) forays into TV animation, examining the early days of Bill Hanna and Joe Barbera's "planned" animation empire! We talk about what went wrong at Hanna-Barbera, and what went right in the early days, thanks to folks like Ed Benedict (whom Bob met), Daws Butler, Alan Reed, and Carlo Vinci. We also dissect "The Flintstone Flyer", the first-aired episode of the first primetime adult cartoon show, which shows just how elegantly crude and inventive a prehistoric Laurel & Hardy...

Here to guide us through the history of NYC's Van Beuren Studio in the '20s and '30s is our most qualified special guest, historian and musician Charlie Judkins! Learn how Paul Terry, John Foster, and Jim Tyer shaped cartoons that never came close to matching the Fleischers (despite being right across the street!), and how their endearing weird crudeness occasionally turned out a pre-code gem like our highlighted Halloween-appropriate cartoon, The Magic Mummy (1933), starring the pre-MGM Tom...

Warner cartoon legend Art Davis was a long-term animator and had an exceptionally memorable three-year run directing the studio's "D-unit" in the late '40s. We discuss Davis' history that began in the silent era, his many years working on the strange Columbia cartoons, and just what makes his contributions to Looney Tunes history so fun. Our breakdown this month: Davis' Two Gophers from Texas, which pits the genial Goofy Gophers against a contemptible conceited dog who hinges on utter...

Because no one asked for it, we're givin' you some CRINGE. We return to the subject of Famous Studios to zero in on what exactly made their cartoons of the 1950s so infamously unfunny. What's your favorite Famous cringe? Herman mutilating Katnip? Popeye trying to seduce Poopdeck Pappy? Just Casper? Or Little Audrey's laugh? Dave Tendlar, Al Eugster, and Irv Spector weren't untalented, though, and could once-in-a-while turn out a classic despite (or because?) of its cringe. We discuss all this...

In lieu of our regular episode this week, we're offering the first episode of Spinach Skrewtny, our Patreon-exclusive chronological examination of the Popeye cartoons made by the Fleischer Studio. We talk about the character's origins in Segar's strip and why incidental elements like spinach and Bluto became staples of the animated series. We were astounded at how rich this first year was, and just what made this sailor (and the animators who brought him to life) so special!

We return to Ub Iwerks, this time to take a look at his uniquely raunchy cartoons he did at his own studio, like Flip the Frog, Willie Whopper, and the ComiColor series... But other than pre-code filth, did these films have much else to offer? Our single cartoon analysis is the Cinecolor Hell's Fire, the Willie Whopper cartoon that proves Hell is fun, prohibition is evil, and it pays to be Satan's stooge!

Our second installment of Animation ID! We give an overview of Emery Hawkins, the Grand Wanderer of classic animation! This guy came up with not just the ultimate Woody Woodpecker, the immortal Marky Maypo, and the nauseating Greedy, but breathed life into characters at just about every studio: Lantz, Columbia, MGM, Disney, and WB, where he rounded out the '40s on the cartooniest cartoons directed by Art Davis. Join in as Bob and Thad discuss what made Mr. Hawkins so special.

We continue the saga of Walter Lantz to focus on the cartoons Dick Lundy directed in the late '40s. An O.G. Disney alumnus, Lundy brought a spit and polish to the Lantz product and made the studio's most lavish pictures—much to Walter's wallet's chagrin. Highlights: Freddie Moore at Lantz! The scumbaggery of Buzz Buzzard! The Woody Woodpecker Song's controversy! And just in time for Father's Day, we discuss Lundy's Wacky-Bye Baby, with doting papa Wally Walrus trying to kill his newly adopted...

"Beep, Beep!" Or is it "Hmeep, Hmeep?" The quintessential chase series by Chuck Jones and Mike Maltese is our topic for this episode. We discuss the origins of famishus vulgaris and birdibus zippibus, just what makes such a simple concept so funny, and list our favorite Coyote pratfalls. Then we cap it off with an in-depth analysis of arguably the most perfect Road Runner cartoon, Zoom and Bored. Listen—in the name of humanity!

We get even bolder in our classic cartoon hot takes as we discuss UPA, the hip postwar studio that changed the way animation at all the studios was done. We talk about directors like John Hubley and Bobe Cannon, who sought to make cartoons with aspirations opposite the status quo in Hollywood cartoons, and the golden years of UPA that birthed Mister Magoo and several Oscar nods. Our highlighted cartoon is a gem, Christopher Crumpet, from Cannon and writer/designer T. Hee, whom Bob actually met!

We dip into the Cartoon Modern era of the Golden Age as we pay tribute to the late Gene Deitch, a true animation original. His sense of appealing design and humor made him a perfect match for animation, but he was not without controversy or critics. From his battles at Terrytoons, to his simultaneously reviled and revered work on Tom & Jerry and Popeye, to his humble masterpieces of Tom Terrific and Nudnik, we dissect what made the mark Gene left on animation history so remarkable.

This week's discussion is about Robert "I did all those Bugs cartoons you don't like" McKimson. Despite his reputation as the "lesser" of the WB directors, he was the backbone of the Warner cartoon style of drawing and animation, and did some of the most stunningly complex scenes in the medium's history. And of course, he went on to direct some of the bawdiest, rowdiest Looney Tunes ever, including the brilliant film we dissect this week, Early to Bet. Listen now, or spin the penalty wheel!

Our first Disney-centric episode is sure to ruffle feathers as we discuss the studio's superstar Donald Duck and the animators and storymen behind him. We discuss what makes some versions of the Duck better than others (namely the legendary writer-cartoonist Carl Barks) and, in spite of our reservations, our favorite Dolan moments. And our first negative critical dissection of 1941's Timber, written by the dynamic duo Barks and Jack Hannah and directed by the not-so-dynamic Jack King.

It's all about Betty Boop this week as we discuss our favorite made-of-pen-and-ink moments from the Fleischer Studio. Red hot jazz, sex, charisma and girl power made her a superstar in the early sound era, and we highlight a prime example of the series: Betty Boop's Penthouse. Bonus: a "cancel"-worthy comment from Shamus Culhane.

The King of Cartoons finally gets his due with a stunning new Blu-Ray release from Warner Archive with 19 of his classic MGM cartoons that illustrate just how Tex Avery was a master of his medium right down to the frame. Highlights include: Bob remembers the time he met Tex! The bad camerawork in these films! And just how much Screwy Squirrel is pure torment? We also do a scene by scene breakdown of Wags to Riches, which follows Spike's singleminded mission to murder Droopy.

It's our first installment of Animation ID: an "insider baseball" look at specific classic animators and their scenes! We give an overview of Mike Lah, the funniest animator the MGM cartoon studio ever had. He breathed comic life into Barney Bear, Tom and Jerry, Droopy, and Spike and made Tex Avery even funnier. Bob and Thad breakdown why Lah's "less is more" approach resulted in some of the best cartoon animation ever, and relay some of Lah's own insight on the MGM cartoon-making methodology.

We finally discuss the most famous of the Warner directors, Chuck Jones, in his first decade! Hear about his early days and flops, the legend of his approach to character layout, his gifted animators, and his most important collaborator, writer Mike Maltese. Our highlighted cartoon is Jones' '40s zenith, Long-Haired Hare, the social-cultural war of Bugs Bunny vs. fat opera singer Giovanni Jones. You'll love this one, music and rabbit haters excepted.

Did you know Gabby Goat, Porky Pig's one-time miserable sidekick, helps illustrate a fascinating chapter in the story of Warner cartoons? Listen as we discuss Mickey Mouse co-creator Ub Iwerks' crash-and-burn directing for Leon Schlesinger, and how Bob Clampett took his place! And just why did Clampett's own one-time pal Chuck Jones become a disgruntled goat himself during these days? Hear all this and more, and a breakdown of Clampett's second cartoon, Get Rich Quick Porky, Gabby's classic...

Frank Tashlin, "the world's greatest yo-yo", made stylized, side-splitting cartoons for Warners that are among the studio's most unique. We discuss his early origins in New York cartooning, his innovative work with animator Art Davis, the influence live-action comedy had on Warner humor (and vice-versa), and what might be the most underrated WB cartoon of the '40s, "Tale of Two Mice"! Hey, Babbit!!!

Our inaugural guest is animator, historian, and national treasure Mark Kausler, who talks with us about his friends, cartoon pioneers Hugh Harman and Rudy Ising, two of Walt Disney's original top animators and the gents who got WB and MGM into the cartoon shorts business. Topics include: the early days in Kansas City with Walt! The genesis of Bosko! Booze crazed horses! Battling the studio bosses! And did Joe Barbera have anything to do with Hugh's adaptation of "Gray's Elegy" going missing?