This episode is part of our Storyteller Sessions event – a weekend of career-spanning conversations with game-changing storytellers, raising money for the Entertainment Community Fund. If you enjoy this episode or any of the episodes still to come across this weekend, please do consider donating via the link below: Donate to our fundraiser here! Gillian Flynn is an author, screenwriter and showrunner who delights in writing what she calls “bad women” – fascinatingly flawed female characters who she grants the freedom to kill, lie, harm and harass in a way that sometimes ruffles feathers. Take her 2012 novel Gone Girl, for example, which she later adapted into a smash hit movie with David Fincher. That murder-mystery tale of a marriage steeped in deceit captivated the world and sparked near-endless conversation about the poison and/or empowerment of its main character, Amy Dunne. That novel and movie – released within two years of each other – didn't just make Flynn a literary darling. It also catapulted her to the summit of film and TV. In 2018, she co-wrote the brilliant Widows with Steve McQueen, and adapted her first novel, Sharp Objects, into a gloriously slow-burning limited series starring Amy Adams. Since then, she’s won cult acclaim for her streaming adaptation of Utopia, the British Channel 4 series. In the conversation you’re about to hear, we ask Gillian how she pens her captivating characters and the social importance of allowing women to run riot on-screen and in her novels, the way that male anti-heroes are frequently permitted to do. She reflects on the accusations of misogyny that her work attracted from some female writers in the aftermath of Gone Girl’s release and reveals an alternative ending to that story that would have taken the tale of Nick and Amy Dunne in an entirely different direction. Again, this conversation is in aid of the Entertainment Community Fund, who do extraordinary work lifting up storytellers of all descriptions and have been a vital support for entertainment industry workers affected by this summer’s strike action. If you enjoy this episode, please do consider clicking the link in the show notes and donating any amount you can to this great cause. It was a huge privilege to share this conversation with Lilly who we can’t thank enough for her openness and insights. Again, this conversation is in aid of the Entertainment Community Fund, who do extraordinary work lifting up storytellers of all descriptions and have been a vital support for entertainment industry workers affected by this summer’s strikes. If you enjoy this episode, please do consider donating via the link below: Donate to our fundraiser here! Support the show