We’ll look at some of the fugues from Bach’s “Art of Fugue,” BWV 1080.

We’ll look at the ricercars, trio sonata and canons of the “Musical Offering.”

We’ll look at Bach’s “Organ Mass” (Clavier-Ubung or “Keyboard Practice” III) including the Trinity Prelude and Fugue and a sampling of the chorale preludes contained in the collection.

We’ll focus on BWV 35, “Spirit and Soul Become Confused,” and BWV 170, “Contented Peace.”

We’ll focus on Bach’s Partita No. 4 in D major, BWV 828, but also take a look at the opening movements of the other five partitas.  

We’ll look at “Ich will den Kreuzstab gerne tragen,” BWV 56 (“Gladly I will carry the Cross-Staff”), and “Ich Habe Genung,” BWV 82 (“I have enough”).

We’ll focus on the Suite in E Minor, BWV 996, and the Suite in C Minor, BWV 997.

We’ll look at two of Bach’s trio sonatas: the Sonata in G major for Two Flutes, BWV 1039; and Bach’s Sonata in Eb for organ, BWV 525, in both the original and a trio sonata version.

We’ll look at two of Bach’s cantatas for soprano soloist: BWV 199, “My Heart Swims in Blood,” and BWV 52, “False World, I Do Not trust you.”

We’ll focus on the Toccata in D major, BWV 912, and the Toccata in C minor, BWV 911.

We'll look at part 2 of the St. Matthew Passion.

We’ll look at part 1 of the St. Matthew Passion.

We’ll look at the Italian Concerto, BWV 971; the French Overture, BWV 831; and the Fantasie, BWV 906.

We’re going to focus on Singet dem Herrn ein neues Lied (“Sing onto the Lord a New Song”), BWV 225; Lobet den Herrn (“Praise the Lord”), BWV 230; and Jesu meine Freund  (“Jesus, my Joy”), BWV 227. 

We’ll look at a sampling of the two-part inventions—Invention No. 1 in C major, No. 2 in C Minor, No 4 in D minor, No, 6 in E major, and No. 8 in F major. We’ll also look at two of the three-part inventions (or Sinfonia)—No. 3 in D major, and No. 9 in F minor.

We’ll look at the Sonata in D major, BWV 1028, and the Sonata in G minor, BWV 1029.

We’ll look at the English Suites, BWV 806-811, with a focus on Suite No. 2 in A Minor.

We’ll look at Handel’s instrumental music, including his keyboard sonata in A Major; his Sonata in G minor for Violin and Continuo, Op. 1, No. 6; his Concerto in Bb major, Op 3, No. 1; his Organ Concerto in F major , Op. 4, No. 4; and brief excerpts from the Water Music and Music for the Royal Fireworks.

We’re going to look at the Chandos Anthem No. 2, “In the Lord Put I My Trust”; the Coronation Anthem, “Zadok the Priest”; and parts of the opera “Julius Caesar in Egypt” and the oratorio “Jephtha.”

We’ll look at Sonata No. 2 in A minor, BWV 1003, and Partita No. 2 in D minor, BWV 1004.

We’ll look at Sonata No.1 in F Minor, BWV 1001, and Partita No, 1 in B Minor, BWV 1002.

We’ll look at two cantatas from Quasimodo Geniti Sunday, the first Sunday after Easter: Cantata BWV 67, titled in English Translation “Hold in Remembrance Jesus Christ,” and BWV 42, in English Translation "On the Evening of the Same Sabbath.”

We’re going to look at various early organ works by Bach including Prelude and Fugue in C Major, BWV 531; Prelude and Fugue in E Minor, BWV 533; “Little” G Minor Fugue, BWV 578; Toccata and Fugue in D Minor, BWV 565; and Chorale Prelude BWV 599 from “Das Orgel-Buchlein.”

We’re going to look at Bach’s famous Goldberg Variations, BWV 988, perhaps the most remarkable set of variations composed in the Baroque period.